A New Horizon Cover Image

A New Horizon: SATB Choral Octavo

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A New Horizon Cover Image

A New Horizon: SATB Choral Octavo

Words and music by Greg Gilpin

Item: 00-48923

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Description
Carefully placed staccatos and well-chosen chord inversions illuminate the gospel style of this original anthem of hope. It's a perfect pep talk or pick-me-up theme song for whenever your program needs a lift. A solo voice becomes a duet before all the singers join in and grow with intensity. Several ascending key changes raise spirits, ensuring that the uplifting message resonates. "Everything will be alright, everything will be okay, 'cause I can see a new horizon on a brand new day." If you don't perform with the kickin' SoundTrax accompaniment, be sure to add a groovin' drummer and riffing organ of your own. We dare you (and your audience) not to clap along!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081562476
SKU: 00-48923

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings decades of experience as both a choral composer and conductor, having led major ensemble performances at Carnegie Hall, Lincoln Center, Ryman Auditorium, Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. An ASCAP award-winning composer and arranger, he serves as Director of Educational Choral Publications for Shawnee Press and holds memberships in ACDA, NAfME, SAG-AFTRA, and Phi Mu Alpha Sinfonia.

Beyond the concert hall, Gilpin has expanded into film composition and producing, scoring the award-winning short film "Rosie's Rescue" and collaborating with opera singer Angela Brown on innovative arrangements. His creative reach extends into professional organizing and business consulting, reflecting both his detail-oriented musical craft and his passion for structure and clarity across disciplines.

Why we love this

Gilpin crafts this anthem with genuine rhythmic swagger and harmonic sophistication that feels accessible rather than condescending. The structural arc from solo into duet and finally full choir creates a narrative of collective empowerment that works equally well as a graduation sendoff or mid-season morale booster, and the ascending key changes deliver exactly what the text promises without ever feeling manipulative.

What to expect

Purposeful and propulsive, with a groove that makes singers want to move. The gospel foundation gives the piece soul and authenticity, while the ascending key changes create a genuine sense of hope building toward a brighter moment. By the final chorus, your choir will feel like they're genuinely proclaiming something worth believing in.

Who it's for

Choirs seeking an original, energizing piece that lands somewhere between spiritual warmth and contemporary groove. This works beautifully for graduation ceremonies, community concert finales, or any program that needs genuine uplift without sentimentality. Whether your ensemble ranges from high school to adult community choirs, the straightforward vocal writing and infectious message resonate across ability levels.

How to get the most out of it

  • Lock the staccato articulations across all four parts so they land with crisp uniformity; the gospel style demands precision in these rhythmic punctuations.
  • Lean into the chord inversions that Gilpin has chosen; they create movement and forward momentum, so resist the urge to smooth them out.
  • If you're using the SoundTrax accompaniment, let the drummer and organ establish the groove first in rehearsal before layering in voices.
  • Build intensity deliberately through each key change rather than simply singing louder; think of each modulation as a new moment of discovery for your singers.

How to use it

Program this as a concert closer when you want audiences leaving energized rather than introspective. It pairs well following more subdued repertoire, creating a dynamic arc that reminds listeners why choir concerts matter. For spring or graduation celebrations, it becomes a powerful bookend piece that captures the spirit of transition and possibility.

Skills your students will build

  • Gospel-style staccato articulation and rhythmic precision
  • Singing through ascending key modulations without forcing tone
  • Blend and balance in progressively fuller textures (solo to duet to full ensemble)
  • Stylistic interpretation of chord inversions that create harmonic movement
  • Integration with rhythm section accompaniment (drums and organ)

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