Madrigal Choral Sheet Music
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Adieu, Sweet Amarillis (English Madrigal): 3-Part Mixed, a cappella Choral Octavo -
Adieu, Sweet Amarillis (English Madrigal): 3-Part Mixed, a cappella Choral Octavo -
The Echo Song: SSA (Double Choir), a cappella Choral Octavo -
The Echo Song (Italian Madrigal): SSA (Double Choir), a cappella Choral Octavo -
O Hear the Joyful Singing: SATB, a cappella Choral Octavo -
O Hear the Joyful Singing: SATB, a cappella Choral Octavo -
And the Green Grass Grew: SSA, a cappella Choral Octavo -
A Joyful Madrigal: 3-Part Mixed or SAB, a cappella Choral Octavo -
And the Green Grass Grew: SSA, a cappella Choral Octavo -
How Merrily We Live: 3-Part Mixed, a cappella Choral Octavo -
A Joyful Madrigal: 3-Part Mixed or SAB, a cappella Choral Octavo -
How Merrily We Live: 3-Part Mixed, a cappella Choral Octavo -
Fire, Fire: SSA, a cappella Choral Octavo -
Fire, Fire: SSA, a cappella Choral Octavo -
In These Delightful Pleasant Groves: SATB, a cappella Choral Octavo -
My Bonnie Lass: 3-Part Mixed, a cappella Choral Octavo -
My Bonnie Lass: 3-Part Mixed, a cappella Choral Octavo -
In These Delightful Pleasant Groves: SATB, a cappella Choral Octavo -
With a Joyful Song: SSA, a cappella Choral Octavo -
Two Morley Madrigals for Men: TBB, Opt. a cappella Choral Octavo -
Two Morley Madrigals for Men: TBB, Opt. a cappella Choral Octavo -
One Minute Madrigal: SATB, a cappella Choral Octavo -
A Very Merry Madrigal: 2-Part Choral Octavo -
One Minute Madrigal: SATB, a cappella Choral Octavo
About This Collection
Description
Madrigal sheet music for choirs spans centuries and styles, from Renaissance masters to contemporary composers writing in the madrigal tradition. You'll find a cappella arrangements across all standard voicings, with many titles on the Texas UIL and NYSSMA approved lists. Popular choices include O Occhi Manza Mia by Russell L. Robinson for SSA voices, Sing We and Chant It by Thomas Morley for mixed ensembles, and Let the Song Begin by Donald Moore for SATB. Whether you're building a concert program or selecting contest repertoire, these pieces balance musicality with accessibility for moderate and moderately easy ensembles.
Highlights
Teachers return regularly to O Occhi Manza Mia by Russell L. Robinson, a standout SSA a cappella piece that showcases lyrical writing. Thomas Morley's Sing We and Chant It and Now Is the Month of Maying! remain fixtures in mixed choir libraries for their blend of period authenticity and rehearsal-friendly vocal lines. Donald Moore's Let the Song Begin offers SATB choirs a contemporary madrigal with strong ensemble appeal.
Composer & Author Spotlight
Russell L. Robinson, Emeritus Professor of Music Education at the University of Florida, brings decades of international conducting and festival experience to his compositions. His work as a guest conductor at Carnegie Hall, Lincoln Center, and the Kennedy Center informs his understanding of what singers need in the rehearsal room and on stage.
Donald Moore combines organ performance training from Kent State University with a gift for melodic writing across sacred and secular idioms. His output of over 500 published works spans multiple publishers and appeals to directors seeking variety in difficulty and style without sacrificing musicality.
Jay Althouse's background in music education and his tenure with a major educational publisher shaped his approach to choral writing for ensembles at all levels. His catalog of more than 800 works demonstrates sustained attention to how composers can serve rehearsal needs while maintaining artistic integrity.