Madrigal Choral Sheet Music

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Choir Voicing
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  • Come Away, Sweet Love: SATB Choral Octavo

    Come Away, Sweet Love: SATB Choral Octavo

    Come Away, Sweet Love: SATB Choral Octavo

    By Thomas Greaves / Arranged by John Leavitt

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  • Je Ne Fus Jamais Si Aise: 3-Part Mixed Choral Octavo

    Je Ne Fus Jamais Si Aise: 3-Part Mixed Choral Octavo

    Je Ne Fus Jamais Si Aise: 3-Part Mixed Choral Octavo

    By Pierre Certon / Arranged by Jerry Estes

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  • Good People, Now Rejoice!: 2-Part Choral Octavo

    Good People, Now Rejoice!: 2-Part Choral Octavo

    Good People, Now Rejoice!: 2-Part Choral Octavo

    By Mary Donnelly / Arranged by George L.O. Strid

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  • Farewell, Dear Love: SATB Choral Octavo

    Farewell, Dear Love: SATB Choral Octavo

    Farewell, Dear Love: SATB Choral Octavo

    By Robert Jones / Arranged by John Leavitt

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  • A Mad, Mad, Mad, Mad, Madrigal: SATB Choral Octavo

    A Mad, Mad, Mad, Mad, Madrigal: SATB Choral Octavo

    A Mad, Mad, Mad, Mad, Madrigal: SATB Choral Octavo

    Arranged by Kirby Shaw

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  • The Birds The Bees (Madrigal Collection for Mixed Voices): SATB Choral Octavo

    The Birds The Bees (Madrigal Collection for Mixed Voices): SATB Choral Octavo

    The Birds The Bees (Madrigal Collection for Mixed Voices): SATB Choral Octavo

    Arranged by Philip Lawson

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    $5.95
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  • Sing We And Chant It: 2-Part Choral Octavo

    Sing We And Chant It: 2-Part Choral Octavo

    Sing We And Chant It: 2-Part Choral Octavo

    By Thomas Morley / Arranged by Carol Kelley

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  • Fair Phyllis I Saw: TTBB Choral Octavo

    Fair Phyllis I Saw: TTBB Choral Octavo

    Fair Phyllis I Saw: TTBB Choral Octavo

    By John Farmer / Arranged by William C. Powell

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  • Three Madrigals: 2-Part Choral Octavo

    Three Madrigals: 2-Part Choral Octavo

    Three Madrigals: 2-Part Choral Octavo

    By Emma Lou Diemer

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  • Sing Me A Song (Fa Una Canzona): SATB Choral Octavo

    Sing Me A Song (Fa Una Canzona): SATB Choral Octavo

    Sing Me A Song (Fa Una Canzona): SATB Choral Octavo

    As performed by Orazio Vecchi / Arranged by Betty Bertaux

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  • Je Le Vous Dirai: SSA Choral Octavo

    Je Le Vous Dirai: SSA Choral Octavo

    Je Le Vous Dirai: SSA Choral Octavo

    By Pierre Certon / Arranged by John Leavitt

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    $2.50
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  • We Shepherds Sing: 3-Part Mixed Choral Octavo

    We Shepherds Sing: 3-Part Mixed Choral Octavo

    We Shepherds Sing: 3-Part Mixed Choral Octavo

    By Thomas Weelkes / Arranged by Jill Gallina

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  • Three English Madrigals: 2-Part Choral Octavo

    Three English Madrigals: 2-Part Choral Octavo

    Three English Madrigals: 2-Part Choral Octavo

    Arranged by Philip Lawson

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  • Three Madrigals: SATB Choral Octavo

    Three Madrigals: SATB Choral Octavo

    Three Madrigals: SATB Choral Octavo

    By Emma Lou Diemer

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  • O Eyes Of My Beloved: SATB Choral Octavo

    O Eyes Of My Beloved: SATB Choral Octavo

    O Eyes Of My Beloved: SATB Choral Octavo

    By Miriam Chase / By Orlando di Lasso / Arranged by Doug Andrews

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About This Collection

Description

This collection of 167 madrigal arrangements spans from Renaissance masterworks to contemporary settings, all scored for secular choirs. Russell Robinson's O Occhi Manza Mia (O Eyes of My Beloved) for SSA and Donald Moore's Let the Song Begin for SATB lead the catalog, alongside Thomas Morley's enduring Sing We and Chant It. Most of these pieces are a cappella, making them practical for rehearsal and performance without instrumental support. You'll find voicings across the range: three-part mixed and SSA arrangements dominate, with SATB options and some two-part settings as well.

Highlights

Teachers keep coming back to Russell Robinson's O Occhi Manza Mia (O Eyes of My Beloved) for SSA, which has become the collection's most widely adopted title. Thomas Morley's Sing We and Chant It for three-part mixed voices is another perennial favorite, along with Donald Moore's Let the Song Begin for SATB. Jay Althouse's Three New Madrigals for three-part mixed rounds out the frequently ordered titles.

Composer & Author Spotlight

Donald Moore holds degrees in organ performance and music education from Kent State University and serves as Organist-Choirmaster at Pilgrim United Church of Christ in Ohio. His prolific output includes over 500 compositions across sacred, secular, and educational genres. His setting Let the Song Begin for SATB reflects his deep experience working with church choirs and his commitment to writing accessible yet musically substantial work.

Russell L. Robinson is Emeritus Professor of Music Education at the University of Florida and an accomplished conductor who has appeared at Carnegie Hall, Lincoln Center, and the Kennedy Center, as well as international festivals across six continents. His O Occhi Manza Mia demonstrates the blend of musicological knowledge and practical understanding that comes from his extensive work with honor choirs and state and national festivals.

Jay Althouse holds degrees in music education from Indiana University of Pennsylvania and brings eight years of experience as a rights and licenses administrator for a major educational music publisher to his compositional work. With more than 800 choral works in print, his Three New Madrigals for three-part mixed voices exemplifies his skill at writing for ensembles at all levels.