Zazz Cover Image

Zazz: Choral SoundTrax CD

$29.99 USD
Sale price  $29.99 USD Regular price 
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Zazz Cover Image

Zazz: Choral SoundTrax CD

from The Prom

Lyrics by Chad Beguelin, music by Matthew Sklar / arr. Andy Beck

Item: 00-47878

$29.99
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Description
From the writers of the popular Broadway musical Elf, this showbiz showstopper will bring the house down! Flashy lyrics offer several laugh lines such as "if your hands are shaking, just turn 'em into jazz hands," plus a humorous shout-out to world-famous choreographer Bob Fosse, suggesting he would "make the people have a step-ball-change of heart." Fun to sing, stage, and perform---with razzle dazzle to spare!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081548517
SKU: 00-47878

More about this title

About the Composer: Matthew Sklar

Matthew Sklar has established himself as a composer for musical theater with work that balances sophisticated musicality and popular appeal. He co-wrote the score for Elf the Musical alongside lyricist Chad Beguelin, bringing both comedic timing and genuine theatrical craft to Broadway audiences. His ability to write accessible, character-driven music that serves the comedy while remaining musically substantial has made him a fixture in contemporary musical theater.

Why we love this

Zazz delivers exactly what choirs crave from contemporary pop repertoire: genuine humor that lands without sacrificing musicality, plus built-in staging potential that makes rehearsal fun rather than a chore. The recorded accompaniment frees your attention to focus on ensemble blend and comedic timing, while the Broadway pedigree gives your concert real entertainment value. Directors consistently find that pieces this engaging generate momentum through the entire rehearsal cycle.

What to expect

Zazz pulses with the energy of a backstage comedy, all quick wit and showbiz flair. The music sparkles with theatrical confidence, full of the kind of clever wordplay and self-aware humor that makes audiences lean forward and laugh. It's the sound of performers having a blast while nailing a tight routine.

Who it's for

This recording works for choirs of mixed experience levels who want contemporary Broadway material with genuine entertainment value. Singers appreciate the humor and theatrical context, while directors value the professional accompaniment and built-in comedic setup. It suits concert programs that lean toward accessible, audience-friendly programming without sacrificing musical interest.

How to get the most out of it

  • Lean into the comedic intent from day one. The shout-outs to Bob Fosse and the jazz hands reference are meant to elicit laughs; encourage singers to own the humor rather than underplay it.
  • Use the recorded accompaniment as your structural anchor during early rehearsals, then gradually layer in choreography or movement ideas once the vocal parts are secure.
  • Balance rhythmic precision with theatrical energy. The "step-ball-change" reference and showbiz language demand crisp ensemble singing, but the delivery should feel effortless and fun, not mechanical.
  • Consider staging cues tied to the accompaniment track. The recording establishes tempo and groove, making it easier to coordinate any choreography or dramatic moments with the band.

How to use it

Zazz thrives as a closing number or Act Two opener, where its high energy and entertainment value reset the room and send audiences out smiling. It pairs naturally with other contemporary pop selections or Broadway-style choral pieces in a concert focused on recent musical theater. The recorded accompaniment makes it especially practical for spring or end-of-year concerts where rehearsal time is compressed.

Skills your students will build

  • Comic timing and character work in choral performance
  • Rhythmic precision with swing and jazz-influenced figures
  • Ensemble balance during uptempo, text-heavy passages
  • Coordinating vocal parts with a full recorded accompaniment
  • Maintaining vocal energy and clarity at performance tempo

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