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Zazz: SAB Choral Octavo

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Zazz Cover Image

Zazz: SAB Choral Octavo

from The Prom

Lyrics by Chad Beguelin, music by Matthew Sklar / arr. Andy Beck

Item: 00-47875

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Description
From the writers of the popular Broadway musical Elf, this showbiz showstopper will bring the house down! Flashy lyrics offer several laugh lines such as "if your hands are shaking, just turn 'em into jazz hands," plus a humorous shout-out to world-famous choreographer Bob Fosse, suggesting he would "make the people have a step-ball-change of heart." Fun to sing, stage, and perform---with razzle dazzle to spare! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Zazz: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081548487
SKU: 00-47875

More about this title

About the Composer: Matthew Sklar

Matthew Sklar is a composer for stage and screen whose work spans Broadway, film, and television. He co-wrote the music for Elf (2010), the Broadway musical adapted from the beloved holiday film, earning critical acclaim for his ability to blend comedy with genuine theatrical warmth. Sklar's catalog reflects a gift for character-driven storytelling and accessible melodies that serve the narrative and engage audiences across age groups.

Why we love this

Zazz delivers the comedic timing and theatrical flair that Broadway audiences expect, but scaled perfectly for choral singers rather than trained belters. The lyrical wit and references to Bob Fosse and jazz hands give your singers material they can genuinely enjoy performing, which translates immediately into audience energy. Andy Beck's SAB arrangement opens this up to mixed-voice choirs without sacrificing the showstopper feel.

What to expect

Zazz radiates Broadway pizzazz and tongue-in-cheek humor. The piece bounces along with energy and charm, inviting singers and audiences alike to embrace the theatrical absurdity. You'll feel the infectious joy of a song that knows exactly what it is: a showbiz celebration wrapped in clever lyrics and undeniable fun.

Who it's for

This octavo works for middle school and high school choirs, particularly those looking for fun, contemporary material that doesn't shy away from comedy. It's ideal for groups comfortable with a lighter tone and willing to embrace theatrical delivery. SAB voicing makes it accessible to mixed ensembles without strong soprano or alto sections.

How to get the most out of it

  • Treat the spoken or rhythmic interjections (like the jazz hands reference) as punch lines. Clear diction and confident delivery on these moments will land the humor and keep the energy high.
  • Use the recorded accompaniment to lock in the groove. The rhythmic pocket in this kind of showbiz material is crucial; once your singers feel secure with the track, they can relax into the character.
  • Lean into the theatrical staging suggestions. This piece invites movement and choreography. Even simple stylized gestures will amplify the razzle-dazzle without requiring Broadway-level dance training.
  • Balance the ensemble moments with clarity on any solos or featured sections. Make sure accompaniment levels don't bury individual singers when they step forward.

How to use it

Program this as a finale or an act-one closer if your concert benefits from a high-energy, feel-good moment. It pairs well on programs that mix styles, offering contrast to more serious choral literature while still showcasing your singers' performance skills. The contemporary source and comedic nature also make it fitting for pops concerts, variety shows, or school musicals seeking an energetic featured number.

Skills your students will build

  • Rhythmic precision in syncopated, groove-based material
  • Theatrical delivery and comedic timing
  • Diction clarity in rapid, lyric-driven passages
  • Blend and balance across SAB voice parts
  • Confidence performing character-driven, contemporary repertoire

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