Zazz: Choral SoundPax
from The Prom
Lyrics by Chad Beguelin, music by Matthew Sklar / arr. Andy Beck
Item: 00-PK-0008613
One moment…
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Description
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More about this title
About the Composer: Matthew Sklar
Matthew Sklar has established himself as a composer for musical theater with a gift for accessible, character-driven songs that work across skill levels. His work on the Broadway musical Elf demonstrated his ability to blend humor with genuine warmth, creating music that connects with audiences of all ages. Sklar's compositions for choral and educational settings maintain that same theatrical sensibility while remaining practical for school and community ensembles.
Why we love this
This piece brings authentic Broadway wit into the rehearsal room without sacrificing musicality or requiring elaborate staging. The humor lands naturally through the lyrics and melody rather than relying on trick effects, so your singers stay focused on singing well while the comedy builds organically. It's the kind of showstopper that energizes a concert and reminds audiences why live choral music matters.
What to expect
Pure Broadway exuberance meets high school ensemble singing. The piece sparkles with smart lyrics and recognizable theatrical language, creating an atmosphere where your singers feel like they're performing legitimate musical theater rather than a novelty song. There's genuine joy in the writing, and that energy is contagious.
Who it's for
High school choirs and advanced middle school groups will find the right blend of vocal accessibility and theatrical engagement here. This works equally well for concert choirs looking to program something memorable and for show choirs seeking strong material with built-in audience appeal.
How to get the most out of it
- Lean into the comedic timing of the lyrics. Brief pauses and clear articulation on punchlines like 'jazz hands' and 'step-ball-change' will maximize laughs without disrupting the musical flow.
- Use the recorded accompaniment to lock in the groove and keep the energy driving forward, especially during the flashier sections.
- Choreography here is optional but effective. Even simple synchronized hand movements on 'jazz hands' or basic pivot steps on 'step-ball-change' elevate the entertainment value significantly.
- Balance the comedic delivery with solid vocal technique. Keeping the tone bright and forward will make the humor land while maintaining ensemble blend and intonation.
How to use it
Program this as a second-act opener or closer when you want maximum impact and audience engagement. The humor and star power make it an ideal anchor for a concert built around show tunes or contemporary pop, and it pairs beautifully with other Broadway-adjacent material.
Skills your students will build
- Rhythmic precision and syncopation in a contemporary pop/Broadway style
- Comedy timing and intentional phrasing for lyrical humor
- Blend and balance in an energetic, ensemble-driven arrangement
- Coordination between singing and optional choreography
- Stylistic flexibility when moving between conversational verses and more singable sections