You're the One That I Want (from Grease): SAB Choral Octavo
From the Musical Grease
Words and music by John Farrar / arr. Alan Billingsley
Item: 00-PO-0002278
Minimum order quantity: 20 copies
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More about this title
About the Composer: John Farrar
John Farrar was the primary composer and lyricist behind Grease, one of the most enduring musicals in theater history. His work on the 1971 original production and the 1978 film adaptation established him as a master of pop-inflected theatrical songwriting, crafting melodies that balance accessibility with genuine musical sophistication.
Why we love this
Alan Billingsley's SAB arrangement preserves the infectious energy of the original without overwhelming singers with complex voice leading. This is a song your ensemble will want to perform because the melody is unforgettable and the arrangement gives everyone something satisfying to sing. Programming a recognizable hit from a beloved musical also guarantees audience engagement and student enthusiasm.
What to expect
Infectious 1950s pop energy meets theatrical confidence. The song bristles with the chemistry and flirtation of its source material, full of playful swagger and undeniable charm that audiences recognize immediately.
Who it's for
Any SAB choir seeking a high-energy showstopper with immediate cultural resonance. The three-part voicing makes it accessible to developing choirs and secondary school groups while maintaining the musical character that makes Grease unforgettable.
How to get the most out of it
- Keep the rhythmic drive steady and propulsive; the piece sits on a foundation of steady eighth notes that should feel like momentum, not just marking time.
- Shape the vocal lines for clarity over the accompaniment; use dynamic contrast between sections to make each voice part register distinctly in a dense choral texture.
- Lock the diction across all three parts, especially on repeated syllables and fast-moving passages, so the text lands with punch and precision.
How to use it
Use this as a pops concert anchor or a spring musical revue centerpiece. Its accessibility and crowd-pleasing character make it perfect for a programming block alongside other contemporary or musical theater selections, where it will stand out as a recognizable crowd favorite.
Skills your students will build
- Maintaining rhythmic precision in ensemble while singing sustained lines and fast passages simultaneously
- Balancing vocal blend across three parts in a densely orchestrated arrangement
- Interpreting pop and musical theater style with appropriate energy and diction
- Performing with choreographed movement (when staging from the featured DVD is incorporated)