You're the One That I Want: Choral SoundPax

Alan Billingsley's arrangement preserves the infectious energy and pop-rock drive that made this song a phenomenon while tailoring it specifically for choral voices. The inclusion of instrumental parts and staging suggestions means your choir gets a fully realized performance package, not just a vocal score. This is the kind of contemporary repertoire that gets students excited to rehearse.

Infectious, confident, and unapologetically fun. The arrangement bounces with 1950s rock and roll vitality while keeping modern choral sensibilities front and center. It's the kind of piece that gets audiences smiling before the first phrase ends.

High school and college choirs looking for contemporary pop repertoire that engages students while remaining musically solid. Directors programming concert events, musicals, or pop-themed shows will find this captures student interest immediately.

• Lean into the rhythmic precision of the rhythm section parts; the groove drives the whole arrangement, and locked-in accompaniment lifts the vocal lines.
• Shape the duet sections with clear character differentiation between the two lead parts so the dialogue aspect of the song reads theatrically.
• Use the recorded accompaniment to establish the correct tempo and energy baseline during early rehearsals, then gradually transition to live ensemble playing.
• Balance belt-singing energy with choral blend in the unison sections; this style welcomes vocal personality without sacrificing ensemble cohesion.

Feature this as an upbeat concert closer or include it in a music from film and television program. The theatrical staging elements also make it a natural fit for variety shows, school musicals, or special performances celebrating pop culture.

• Singing with rhythmic precision in a pop/rock style
• Balancing solo energy with ensemble blend
• Interpreting movement and staging cues during performance
• Responding to recorded and live accompaniment simultaneously