You're the One That I Want: Choral Octavo SoundTrax CD

Alan Billingsley's arrangement channels the raw energy of this iconic duet without requiring your singers to compete with movie-star vocals. The included accompaniment track and instrumental parts mean you can stage this with real movement, turning a beloved pop standard into a fully realized choral moment that audiences will recognize instantly.

Pure joy and mischief. This arrangement captures the flirtation and chemistry at the heart of the song, with infectious rhythmic drive and moments of soaring harmony that feel both contemporary and timelessly fun.

Show choirs and pop-focused ensembles looking for accessible, high-energy repertoire that connects with audiences. High school and community choirs will find this especially rewarding because the cultural touchstone removes the barrier of unfamiliar material while still demanding solid musicianship.

• Lean into the character dynamics between parts. This duet thrives on personality and attitude, so encourage your singers to commit to the emotional stakes of each phrase.
• The recorded accompaniment gives you freedom to add choreography or blocking. Work out staging in rehearsal before you layer in the track.
• Pay attention to the diction and phrasing that makes the original arrangement sparkle. Tight, conversational articulation will keep the piece from feeling sluggish.
• Balance matters here. The melody needs to soar, but harmony parts should lock in with precision rather than fade into background texture.

This works best as a moment of audience connection in a pop or Broadway-themed concert, or as a standalone opener that sets a celebratory tone. It's also ideal for pep rallies or community events where you want your singers to have genuine fun in front of a crowd that knows every word.

• Singing with stylistic pop phrasing and articulation
• Balancing melody and harmony parts in a duet format
• Interpreting character and attitude in performance
• Coordinating singing with choreography or movement
• Blending with a recorded accompaniment track