Winter Wonderland: Piano/Vocal/Chords
Item: 00-PS-0004264
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Description
Titles: All I Want for Christmas Is You * Angels We Have Heard on High * Believe * Celebrate Me Home * The Christmas Blues * Christmas Canon * Christmas Eve / Sarajevo 12/24 * The Christmas Shoes * Christmas Waltz * Coming Home for Christmas * Deck the Hall * Ding Dong Merrily on High * Do They Know It's Christmas? * Felíz Navidad * The First Noel * Frosty the Snowman * The Gift * Go Tell It on the Mountain * God Is with Us * Grown-Up Christmas List * Hallelujah! Chorus * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * (There's No Place Like) Home for the Holidays * I Want an Old-Fashioned Christmas * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Last Christmas * Let It Snow! Let It Snow! Let It Snow! * Let There Be Peace on Earth * The Little Drummer Boy * The Little Drummer Boy / Peace on Earth * The Marvelous Toy * Mary, Did You Know? * Nativity Carol * O Christmas Tree (O Tannenbaum) * O Holy Night (Cantique De Noel) * O Little Town of Bethlehem * The Prayer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * These Are Special Times * The Twelve Days of Christmas * We Wish You a Merry Christmas * Wexford Carol * When Christmas Comes to Town * Winter Wonderland * Wizards in Winter * You're a Mean One, Mr. Grinch.
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More about this title
About the Composer: Felix Bernard
Felix Bernard (1897–1944) composed "Winter Wonderland" in 1934, creating one of the most enduring holiday standards in American music. His gift for writing accessible, singable melodies made his work popular across generations, and his contributions to seasonal repertoire continue to define how we celebrate the winter holidays.
Why we love this
This collection balances contemporary chart hits with timeless carols, giving you authentic arrangements of songs your singers already know and love. The mix of sacred and secular material, plus the star-studded credits, makes this folio equally valuable for holiday concerts, casual singalongs, or classroom caroling projects where engagement matters as much as musicality.
What to expect
Opening this folio feels like stepping into a holiday broadcast spanning decades. You hear both the intimacy of traditional carols and the polished production values of modern pop arrangements, all bound together in the shared warmth of songs meant to bring people together.
Who it's for
This book serves singers, pianists, and small ensembles preparing holiday programming, from community choirs to school concert singers to private studio teachers assembling seasonal repertoire. Anyone needing reliable, singable arrangements of recognizable holiday material will find immediate value here.
How to get the most out of it
- Scan the chord symbols first to identify key changes and modulations between pieces; many of these arrangements shift keys to suit different vocal ranges, so planning your transpositions ahead saves rehearsal time.
- Balance the piano accompaniment against the vocal line by noting where the arrangement thickens with fuller voicings (especially in arrangements by recognizable artists) and adjusting dynamics to keep words intelligible.
- Honor the stylistic differences between pieces: carols typically ask for steadier, more legit tone, while pop-influenced numbers like "All I Want for Christmas Is You" call for contemporary phrasing and a looser rhythmic approach.
- Use the chord symbols to shape harmonic color at the piano; many arrangements benefit from subtle rubato and pedal choices that bring out the chromatic passing chords common in holiday music.
How to use it
Use individual selections to build a concert set that respects your audience's musical diversity; program a carol, follow with a contemporary hit, then return to tradition. The variety of styles and lengths makes this folio ideal for mixed holiday concerts where you're alternating between choral numbers and featured soloists.
Skills your students will build
- Reading chord symbols and realizing simple to complex accompaniments
- Interpreting stylistic cues from arrangement credits (identifying pop versus classical approaches)
- Sight-reading across multiple keys within a single rehearsal session
- Phrasing and tone adjustment to match different harmonic languages (sacred versus secular styles)
- Managing tempo and rubato in arrangements with varying harmonic densities