Angels We Have Heard on High Sheet Music Preview

Angels We Have Heard on High: Piano/Vocal/Chords

Item: 00-PS-0011591

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Description
Take big hits like "Felíz Navidad" and "Winter Wonderland," add star power with celebrities like Jim Brickman, Celtic Woman, Celine Dion, and Trans-Siberian Orchestra, wrap it all up with beloved carols, and celebrate the season with the finest holiday songbook ever compiled!

Titles: All I Want for Christmas Is You * Angels We Have Heard on High * Believe * Celebrate Me Home * The Christmas Blues * Christmas Canon * Christmas Eve / Sarajevo 12/24 * The Christmas Shoes * Christmas Waltz * Coming Home for Christmas * Deck the Hall * Ding Dong Merrily on High * Do They Know It's Christmas? * Felíz Navidad * The First Noel * Frosty the Snowman * The Gift * Go Tell It on the Mountain * God Is with Us * Grown-Up Christmas List * Hallelujah! Chorus * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * (There's No Place Like) Home for the Holidays * I Want an Old-Fashioned Christmas * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Last Christmas * Let It Snow! Let It Snow! Let It Snow! * Let There Be Peace on Earth * The Little Drummer Boy * The Little Drummer Boy / Peace on Earth * The Marvelous Toy * Mary, Did You Know? * Nativity Carol * O Christmas Tree (O Tannenbaum) * O Holy Night (Cantique De Noel) * O Little Town of Bethlehem * The Prayer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * These Are Special Times * The Twelve Days of Christmas * We Wish You a Merry Christmas * Wexford Carol * When Christmas Comes to Town * Winter Wonderland * Wizards in Winter * You're a Mean One, Mr. Grinch.

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Additional Details
Series: World's Greatest
Publisher: Alfred Music
Page Count: 232
SKU: 00-PS-0011591

More about this title

Why we love this

This collection spans centuries of holiday music without sacrificing depth. The range here—from strict hymn settings to contemporary pop arrangements—means you can build a complete seasonal program from a single source. Piano/vocal/chord format gives singers flexibility to perform solo or with accompaniment, and pianists get everything they need for rehearsal or performance.

What to expect

You move through a musical landscape that honors hymn traditions while embracing modern holiday songwriting. Each arrangement carries the warmth of seasonal music whether it's rooted in centuries-old melody or contemporary pop sensibility.

Who it's for

Singers preparing seasonal recitals, holiday concert programs, or caroling sets will find dependable arrangements across multiple styles and eras. Pianists and accompanists need a single resource covering both sacred carols and secular hits, and this folio eliminates the need to hunt for individual sheets.

How to get the most out of it

  • Use the chord symbols to explore different voicings on piano, especially in contemporary carols like "All I Want for Christmas Is You" where rhythmic accompaniment styles matter more than strict notation.
  • When performing traditional hymns alongside pop arrangements in the same recital, let tempo choices reflect each song's character; resist the urge to homogenize the pacing across the entire folio.
  • Study how individual arrangements handle the melody line in relation to the harmonic structure; some pieces benefit from rubato in the vocal line while others need strict rhythmic alignment with the piano.

How to use it

Build a mixed concert program that opens with traditional carols, moves into pop-influenced pieces that showcase contemporary arranging, and closes with sacred hymns for reflection. Alternatively, curate shorter sets for specific contexts—caroling gigs, church services, or studio recordings—by drawing strategically from the 40 titles available.

Skills your students will build

  • Reading chord symbols and realizing accompaniments from lead sheets
  • Interpreting vocal phrasing across different musical styles and eras
  • Adapting performance to suit both accompanied and solo contexts
  • Navigating harmonic movement in traditional versus contemporary arrangements

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