O Little Town of Bethlehem: Piano/Vocal/Chords
Item: 00-PS-0011596
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Description
Titles: All I Want for Christmas Is You * Angels We Have Heard on High * Believe * Celebrate Me Home * The Christmas Blues * Christmas Canon * Christmas Eve / Sarajevo 12/24 * The Christmas Shoes * Christmas Waltz * Coming Home for Christmas * Deck the Hall * Ding Dong Merrily on High * Do They Know It's Christmas? * Felíz Navidad * The First Noel * Frosty the Snowman * The Gift * Go Tell It on the Mountain * God Is with Us * Grown-Up Christmas List * Hallelujah! Chorus * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * (There's No Place Like) Home for the Holidays * I Want an Old-Fashioned Christmas * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Last Christmas * Let It Snow! Let It Snow! Let It Snow! * Let There Be Peace on Earth * The Little Drummer Boy * The Little Drummer Boy / Peace on Earth * The Marvelous Toy * Mary, Did You Know? * Nativity Carol * O Christmas Tree (O Tannenbaum) * O Holy Night (Cantique De Noel) * O Little Town of Bethlehem * The Prayer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * These Are Special Times * The Twelve Days of Christmas * We Wish You a Merry Christmas * Wexford Carol * When Christmas Comes to Town * Winter Wonderland * Wizards in Winter * You're a Mean One, Mr. Grinch.
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More about this title
About the Composer: Lewis H. Redner
Lewis H. Redner (1831-1908) composed "O Little Town of Bethlehem" in 1868, setting words by Phillips Brooks to music that has become a cornerstone of Christmas worship and performance. His gift for melody and harmonic simplicity made the carol immediately singable across congregations and skill levels, a quality that defined his contribution to American sacred music.
Redner worked as an organist and music director in Philadelphia, where he developed a deep understanding of what makes congregational and choral music accessible without sacrificing musicality. His compositions reflect his pedagogical sensibility: they teach singers about phrasing, harmony, and emotional restraint through their very structure.
Why we love this
This collection pairs Redner's beloved carol with 53 other holiday standards across every style from traditional to contemporary pop, giving pianists and singers a single source for virtually any Christmas concert or recital. The mix of beloved classics, modern hits, and arrangements featuring recognizable artists makes it possible to program variety without juggling multiple books. With 232 pages of piano/vocal arrangements, you have both intimate solo material and songs substantial enough for holiday fundraisers or community performances.
What to expect
Opening this collection is like having a curated tour through the full emotional spectrum of holiday music: reverent and contemplative in carols like "O Little Town of Bethlehem" and "O Holy Night," joyful and rhythmically infectious in songs like "Jingle Bell Rock" and "Felíz Navidad," and warmly nostalgic in mid-century standards like "Have Yourself a Merry Little Christmas." The arrangements honor each song's character while offering pianists and singers textures that feel immediate and performable.
Who it's for
This collection serves pianists who accompany singers in recitals, rehearsals, or casual performances, as well as vocalists preparing solo or ensemble arrangements of holiday repertoire. It works equally well for music teachers building a holiday concert program and for adult singers and pianists seeking accessible arrangements of beloved seasonal music.
How to get the most out of it
- Balance the vocal line clearly against the piano accompaniment; these arrangements are written to support singing, so resist the urge to let the keyboard part overshadow the melody.
- Treat each song's tempo marking as a starting point, not a final word. Holiday arrangements benefit from flexibility that respects both the emotional arc of the text and the acoustic of your performance space.
- When moving between traditional carols and contemporary selections, adjust your harmonic language subtly in rehearsal so singers hear how the same voice can move from Renaissance-influenced writing (like "O Little Town") to modern pop harmony.
- Use the chord symbols to explore reharmonization opportunities during rehearsals; these foliations often suggest upper extensions and jazz voicings that can deepen arrangements without adding notation.
How to use it
Build a mixed holiday concert by pairing traditional carols with contemporary hits from the same book, creating contrast that keeps audiences engaged while maintaining artistic coherence. Use it as the foundation for a holiday recital series where soloists choose material matched to their voice type and range, or draw from it to support a church choir's seasonal worship needs across Advent, Christmas, and New Year services.
Skills your students will build
- Reading piano/vocal scores with chord symbols
- Balancing melodic line with harmonic accompaniment
- Interpreting tempo and phrasing across diverse musical styles (traditional, contemporary, pop)
- Accompanying singers with flexible, responsive keyboard playing
- Understanding harmonic function across classical, sacred, and popular music idioms