Christmas Eve/Sarajevo 12/24: Piano
Item: 00-PS-0006165
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Description
Titles: All I Want for Christmas Is You * Angels We Have Heard on High * Believe * Celebrate Me Home * The Christmas Blues * Christmas Canon * Christmas Eve / Sarajevo 12/24 * The Christmas Shoes * Christmas Waltz * Coming Home for Christmas * Deck the Hall * Ding Dong Merrily on High * Do They Know It's Christmas? * Felíz Navidad * The First Noel * Frosty the Snowman * The Gift * Go Tell It on the Mountain * God Is with Us * Grown-Up Christmas List * Hallelujah! Chorus * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Caroling * (There's No Place Like) Home for the Holidays * I Want an Old-Fashioned Christmas * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * Jingle Bell Rock * Jingle Bells * Joy to the World * Last Christmas * Let It Snow! Let It Snow! Let It Snow! * Let There Be Peace on Earth * The Little Drummer Boy * The Little Drummer Boy / Peace on Earth * The Marvelous Toy * Mary, Did You Know? * Nativity Carol * O Christmas Tree (O Tannenbaum) * O Holy Night (Cantique De Noel) * O Little Town of Bethlehem * The Prayer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Sleigh Ride * These Are Special Times * The Twelve Days of Christmas * We Wish You a Merry Christmas * Wexford Carol * When Christmas Comes to Town * Winter Wonderland * Wizards in Winter * You're a Mean One, Mr. Grinch.
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More about this title
About the Composer: Mark Leontovich
Mark Leontovich (1821-1894) was a Ukrainian composer and conductor whose sacred choral works remain central to Eastern Orthodox musical tradition. His composition "Carol of the Bells" (originally "Shchedryk") has become one of the world's most recognized holiday melodies, performed across genres and cultures for over a century. Leontovich's gift was writing music that transcends its liturgical origins to speak universally.
Why we love this
This collection spans genuine holiday classics alongside contemporary pop arrangements, giving pianists real breadth in a single volume. The pairing of traditional carols with songs like "All I Want for Christmas Is You" and "Believe" reflects how modern audiences actually encounter Christmas music, making it relevant for recitals, community events, and casual performance. At 232 pages, it's substantial enough to sustain a holiday program without feeling repetitive.
What to expect
Nostalgic and bright, moving fluidly between sacred reverence and contemporary warmth. The collection captures both the intimate quiet of candlelit carols and the exuberant joy of pop holiday hits, allowing performers to craft a program that feels emotionally coherent despite its stylistic range.
Who it's for
Holiday season pianists preparing recitals, community performances, or church services who need deep repertoire coverage without hunting through multiple books. Solo pianists and accompanists working with vocalists will find both instrumental and vocal arrangements, making this adaptable to different performance contexts throughout the season.
How to get the most out of it
- Balance the left hand carefully in the carol arrangements; many feature simple harmonic progressions that can sound thin without proper voice leading. Listen critically to which notes deserve weight.
- Pace your selection in a recital context. Cluster lighter, faster pieces (like "Jingle Bell Rock" or "Sleigh Ride") separately from slower reflective pieces ("O Holy Night," "Silent Night") to maintain listener engagement.
- Pay attention to stylistic shifts within this collection. A contemporary pop arrangement requires different touch and phrasing than a traditional carol; practice switching between idioms intentionally.
- Use the chord symbols to experiment with comping and improvisation in the lead-sheet pieces. This folio invites personalization rather than strict adherence to written voicings.
How to use it
Build a mixed recital by pairing traditional carols as anchors ("Silent Night," "Joy to the World") with contemporary arrangements as surprises and energy breaks. This breadth works particularly well for fundraiser performances or open-house events where audience familiarity matters. For piano teachers, it's a natural capstone collection to assign during November and December, letting students choose pieces that match their playing level and musical interests.
Skills your students will build
- Sight-reading chord symbols and jazz voicings alongside traditional notation
- Stylistic flexibility across sacred, folk, and pop idioms
- Pedal control in sustained choral textures and transparent arrangements
- Program construction and pacing for thematic concerts
- Accompaniment technique for vocal arrangements