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What Love Can Do: SAB Choral Octavo

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What Love Can Do: SAB Choral Octavo

Words and music by Mark Burrows

Item: 00-48911

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Description
"We will reach out, sing out, make a change. We will show the world what love can do!" These empowering lyrics were inspired by thoughts and feelings from amazing young people at a virtual conference held in 2020. Spread the important message with this stirring anthem of hope by stellar composer and youth mentor, Mark Burrows. Starts with a tiny mezzo-soprano seed and blossoms into a full bloom fortissimo. Along the way, intuitive pop rhythms, satisfying harmonies, an especially memorable bridge, a moment of a cappella, and even handclaps help to secure that full finale effect.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081562353
SKU: 00-48911

More about this title

About the Composer: Mark Burrows

Mark Burrows

Mark Burrows composes for choirs across all age ranges and skill levels, from children's ensembles to adult festival groups. His works appear regularly on state and festival lists, and he fields multiple commissions annually from organizations seeking music that speaks to contemporary values and experiences. He holds degrees in music education from Southern Methodist University and conducting from Texas Christian University, grounding his creative work in deep pedagogical training.

Why we love this

Burrows captures authentic youthful energy without condescension; these are real lyrics from real young voices, which gives the piece genuine emotional weight. The arc from a delicate mezzo-soprano entrance to full fortissimo is expertly paced, giving singers a satisfying journey and audiences a memorable theatrical moment. The bridge and a cappella passage break up the pop-rhythm foundation just enough to keep singers engaged across all three vocal ranges.

What to expect

This piece radiates optimism tempered with sincerity. It opens with vulnerability, unfolds with infectious pop-influenced energy, and builds toward a moment of collective power that feels earned rather than imposed. The combination of handclaps, a cappella singing, and a cappella moments creates an intimate feeling even in moments of fullness, reminding singers and listeners alike of the human connection beneath the message.

Who it's for

Mixed choirs at the middle school, high school, and community level will find this piece both musically rewarding and emotionally resonant. SAB voicing makes it accessible to groups with developing lower voices while still offering satisfying harmonic depth. The message of hope and social change connects with singers who want their music to mean something beyond the concert stage.

How to get the most out of it

  • Find the right balance between the gentle opening and the full ensemble sections by rehearsing the mezzo-soprano line separately first, then gradually layer in the other voices so singers understand their role in building toward the finale.
  • Keep handclap patterns tight and rhythmically precise; they're not just texture but part of the groove, so lock them in early and treat them with the same care you'd give to any melodic line.
  • Shape the bridge and a cappella moment with clear dynamic contrast; these sections need room to breathe after the rhythmic drive, so resist the urge to maintain the same energy throughout.
  • Use the recorded accompaniment to establish the pop-influenced groove, but encourage singers to feel the pulse in their bodies rather than simply following the track.

How to use it

Program this as a concert closer or festival finale to leave audiences with a sense of purpose and uplift. It pairs well with other contemporary secular works that address social themes, creating a cohesive set about youth voices and community action. The 12-page length and moderate difficulty make it suitable for spring concerts focused on hope, brotherhood, or youth perspectives.

Skills your students will build

  • Executing pop-influenced rhythms with precision (syncopation, straight eighth-note feels)
  • Balancing independent voice parts in three-part SAB voicing
  • Shaping dynamic arcs from soft mezzo-soprano entrance to fortissimo finale
  • Performing a cappella passages with intonation and blend
  • Integrating rhythmic speech elements (handclaps) into ensemble singing

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