What'd I Say: Piano/Vocal/Chords
Jerry Lee Lewis
Item: 00-PSP-000163
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Description
Titles: Another Place Another Time * Big Legged Woman * Breathless * Carry Me Back to Ole Virginia * Chantilly Lace * Crawdad Song * End of the Road * Great Balls of Fire * High School Confidential * I Am What I Am * Lewis Boogie * Lucille * Me and Bobby McGee * Middle Age Crazy * New Orleans Boogie * Once More with Feeling * One Has My Name (The Other Has My Heart) * Over the Rainbow * Rockin' My Life Away * She Even Woke Me Up to Say Goodbye * She Still Comes Around (To Love What's Left of Me) * Think About It Darlin' * Thirty Nine and Holding * To Make Love Sweeter for You * Wall Around Heaven * What'd I Say * What's Made Milwaukee Famous (Has Made a Loser Out of Me) * Whole Lot of Shakin' Going On * Would You Take Another Chance on Me * You Win Again.
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About the Artist: Jerry Lee Lewis
Jerry Lee Lewis pioneered rock and roll as both a virtuoso pianist and vocalist in the 1950s, blending country, blues, and gospel influences into a electrifying sound that defined early rock music. His technical command of the keyboard and explosive stage presence made him one of the most influential pianists in popular music history, influencing generations of rock and soul musicians.
Why we love this
This collection captures 30 essential Jerry Lee Lewis recordings across his entire career, from early rockers like "Great Balls of Fire" and "Whole Lot of Shakin' Going On" to later country-inflected hits. For pianists drawn to rock and roll history, the arrangements reveal the keyboard voicings and left-hand patterns that made Lewis's playing distinctive. Programming a retrospective concert or teaching the foundations of rock piano becomes straightforward when you have his most recognizable material in one accessible volume.
What to expect
These arrangements pulse with the infectious rhythm and swaggering energy that made early rock and roll irresistible. You'll feel the boogie-woogie heritage in the bass lines, the blues vocabulary in the chord colors, and the unrestrained joy of a performer who loved playing piano in front of an audience.
Who it's for
Pianists and vocalist-pianists with intermediate to advanced skills who want to explore rock and roll standards in their original arrangements. Teachers looking to engage students in twentieth-century popular music history and performers seeking performance-ready charts of enduring hits.
How to get the most out of it
- Study the original recordings to internalize the rhythmic drive and swing feel that Lewis brought to each arrangement; these charts capture his style but your interpretation of the groove determines whether the piece swings or sits flat.
- Balance vocal delivery with instrumental accompaniment by listening to how Lewis phrased lyrics across the bar lines, often pushing or laying back on the beat in ways that differ from a strict reading.
- Approach the left-hand patterns as essential to the character; Lewis's boogie-woogie figures and walking bass lines aren't ornamental accompaniment but the foundation of the music's energy.
- Build stamina for sustained performances, especially on the up-tempo material; many of these arrangements demand consistent rhythmic intensity and hand independence across longer stretches.
How to use it
Feature this collection in a rock and roll history concert, pairing songs thematically by decade or by emotional arc (novelty numbers alongside ballads and driving rockers). Assign individual songs as solo recital repertoire for intermediate-advanced pianists wanting substantial yet accessible material with historical significance.
Skills your students will build
- Reading lead sheets with chord symbols and interpreting them idiomatically
- Coordinating vocal melody with piano accompaniment in rock and roll style
- Executing boogie-woogie and walking bass patterns with rhythmic precision
- Balancing rhythmic swing and shuffle feels appropriate to each song's era
- Building stamina for energetic, sustained performances