Breathless: Piano/Vocal/Chords
Jerry Lee Lewis
Item: 00-PSP-000158
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Description
Titles: Another Place Another Time * Big Legged Woman * Breathless * Carry Me Back to Ole Virginia * Chantilly Lace * Crawdad Song * End of the Road * Great Balls of Fire * High School Confidential * I Am What I Am * Lewis Boogie * Lucille * Me and Bobby McGee * Middle Age Crazy * New Orleans Boogie * Once More with Feeling * One Has My Name (The Other Has My Heart) * Over the Rainbow * Rockin' My Life Away * She Even Woke Me Up to Say Goodbye * She Still Comes Around (To Love What's Left of Me) * Think About It Darlin' * Thirty Nine and Holding * To Make Love Sweeter for You * Wall Around Heaven * What'd I Say * What's Made Milwaukee Famous (Has Made a Loser Out of Me) * Whole Lot of Shakin' Going On * Would You Take Another Chance on Me * You Win Again.
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About the Artist: Jerry Lee Lewis
Jerry Lee Lewis emerged from Ferriday, Louisiana, as one of rock and roll's most influential and controversial figures. Blending country, gospel, and rhythm and blues influences, he became famous for his virtuosic piano playing and wild stage presence, earning the nickname "The Killer" for his fierce musical energy. His recording career spanned decades, producing classic hits from the 1950s onwards and influencing generations of rock musicians and pianists.
Why we love this
This collection captures the raw energy and stylistic range that made Lewis a cornerstone of early rock and roll. Piano and voice students benefit from studying material that demands both technical facility and personality, while the chord notation supports singers developing interpretive skills across multiple genres and eras. The 30-song selection offers something for nearly every skill level and musical taste.
What to expect
These songs pulse with swagger, mischief, and genuine musicianship. They feel lived in, with the kind of groove and personality that only comes from decades of performance and connection to an audience. Whether playful, tender, or driving hard, each piece carries the unmistakable stamp of an artist who knew how to move people.
Who it's for
Piano students and singers seeking iconic rock and roll repertoire with substance beyond novelty; vocalists interested in understanding how early rock vocalists shaped contemporary singing styles; pianists developing chops and interpretive maturity through material that demands both technical control and creative expression.
How to get the most out of it
- Balance the lyrical storytelling with the rhythmic intensity of the arrangements. These songs reward both emotional restraint and dynamic release.
- Study the original recordings to understand Lewis's characteristic phrasing and ornamentations, then make conscious choices about which elements fit your own interpretation.
- Use the chord charts as a foundation for improvisation. Lewis's style invites pianists to add fills, reharmonizations, and rhythmic variations that suit the moment.
- Pay attention to the interaction between vocal melody and piano accompaniment. Many of these pieces feature rhythmic independence between voice and hands that requires rehearsal to lock together.
How to use it
Feature individual selections in student recitals or ensemble showcases to add historical context and stylistic variety to a program. Use as supplementary repertoire in a rock and pop history unit, pairing piano and vocal performances to illustrate early rock's evolution. The collection works equally well for casual performance contexts (informal recitals, coffee house events) and formal concert settings.
Skills your students will build
- Reading and performing from lead sheets with chord symbols
- Understanding rock and roll accompaniment patterns and rhythmic grooves
- Developing interpretive choices within a given style and era
- Managing the relationship between vocal phrasing and instrumental accompaniment
- Building confidence with material that demands personality and stage presence