We Love the '50s Cover Image

We Love the '50s: SAB Choral Octavo

$3.25 USD
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We Love the '50s Cover Image

We Love the '50s: SAB Choral Octavo

Featuring: Let the Good Times Roll / Sixteen Candles / Lipstick on Your Collar / Hold Me, Thrill Me, Kiss Me / Shake, Rattle and Roll

Arr. Jay Althouse

Item: 00-35545

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Description
It's a '50s hit parade! Grab a jukebox and some poodle skirts, and let the good times roll! Enjoy seven minutes of good, clean, rock-and-roll '50s fun!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 28
UPC: 038081397412
SKU: 00-35545

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed across the English-speaking world and holds membership in ASCAP, where he is a regular recipient of the Special Award.

Beyond composition, Althouse has co-authored several children's musicals with his wife Sally K. Albrecht, compiled influential vocal solo collections, and written foundational texts for music educators including The Complete Choral Warm-up Book and Accent on Composers. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. Based in North Carolina, he has contributed to the Folk Art Society of America through board service and published articles.

Why we love this

Althouse knows exactly how to package popular music for young singers without condescension. The seven-minute medley format gives you genuine variety while maintaining momentum, so singers stay engaged and audiences feel the energy shift from track to track. This is the kind of arrangement that gets kids excited about singing while sounding genuinely musical, not novelty.

What to expect

Bright, propulsive, and nostalgic without irony. The arrangement captures the infectious joy of '50s rock while maintaining harmonic sophistication; your singers get to feel the drive and fun of the era without sounding kitschy. Expect genuine smiles in rehearsal and clear engagement from your audience.

Who it's for

SAB choirs looking for concert material that bridges pop repertoire with genuine musicianship. This works equally well for middle school choirs developing blend and part independence, or high school choirs seeking an audience-friendly closer or spring concert highlight.

How to get the most out of it

  • Lean into the rhythmic drive of the rock-and-roll idiom; keep the tempo energetic and let the backbeat breathe without rushing.
  • Balance the three-part texture so the melody doesn't overwhelm the supporting lines; SAB voicing needs clarity in all parts to sparkle.
  • Use the recorded accompaniment in rehearsal to lock the ensemble into the harmonic pocket, especially during transitions between songs.
  • Consider staging or movement to capitalize on the '50s theme; even simple choreography elevates the fun factor without requiring extensive rehearsal time.

How to use it

Program this as a spring concert finale or pops concert cornerstone, where its seven-minute span becomes a statement rather than a novelty. It pairs well with both lighter fare and a cappella selections, giving you programming flexibility. The recorded accompaniment availability makes it ideal if you want to reduce rehearsal load on a crowded concert date.

Skills your students will build

  • Rhythmic precision in rock-and-roll idiom (swing eighth notes, backbeat orientation)
  • SAB part independence and blend in three-part mixed voicing
  • Stylistic authenticity in popular music (tone, phrasing, energy)
  • Quick transitions between multiple melodic ideas within a single piece

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