We Love the '50s Cover Image

We Love the '50s: SoundTrax Digital Audio Download

$44.99 USD
Sale price  $44.99 USD Regular price 
Skip to product information
We Love the '50s Cover Image

We Love the '50s: SoundTrax Digital Audio Download

Featuring: Let the Good Times Roll / Sixteen Candles / Lipstick on Your Collar / Hold Me, Thrill Me, Kiss Me / Shake, Rattle and Roll

Arr. Jay Althouse

Item: 00-A-00015339

$44.99
Digital Download
Description

We Love the '50s: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Publisher: Alfred Music
SKU: 00-A-00015339

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. His career spans educational publishing, where he served eight years in rights and licensing while contributing to the Music Publishers Association of America's leadership. Today he is a prolific composer with more than 800 choral works in circulation across all ability levels, performed regularly in English-speaking countries and recognized by ASCAP as a consistent recipient of their Special Award for composition.

Beyond his choral output, Althouse has collaborated with his wife Sally K. Albrecht on children's musicals and curated respected vocal solo collections including Folk Songs for Solo Singers. He co-authored The Complete Choral Warm-up Book and Accent on Composers, along with classroom resources such as Ready to Read Music and One-Page Composer Bios. His collaborative choral composition I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. Althouse has served on the boards of the North Carolina Master Chorale and the Folk Art Society of America.

Why we love this

Althouse captures the infectious energy of 1950s popular music in arrangements that feel authentically scaled to choirs. The writing is clean and accessible without sacrificing the style's rhythmic snap and harmonic color, making it genuinely rewarding for singers at intermediate levels. These are concert pieces that audiences recognize and enjoy, which matters just as much as the singing itself.

What to expect

Nostalgic yet energetic, with the characteristic smoothness and rhythmic directness of 1950s pop and rock. The melodies are memorable, the harmonies are era-appropriate without feeling dated, and the overall effect is joyful and singable.

Who it's for

Intermediate to advanced high school choirs and community ensembles looking for engaging secular repertoire with immediate audience appeal. Directors who want material that builds performance skill while keeping singers and audiences genuinely entertained.

How to get the most out of it

  • Anchor the groove in your rhythm section if you're using the recorded accompaniment; let those foundational pulses guide the choir's sense of swing and style.
  • Shape phrases with the era's characteristic legato-to-crisp articulation contrast, particularly in the bridge sections where the arrangement likely shifts texture.
  • Coach your singers to commit to the period sound without oversinging; '50s choral style thrives on relaxed confidence rather than dramatic intensity.

How to use it

Schedule this as a concert centerpiece or lighter set piece that gives audiences a breather between more serious repertoire. It works especially well on programs pairing traditional and contemporary choral music, or as a spring concert highlight when audiences expect more accessible, feel-good selections.

Skills your students will build

  • Period-appropriate articulation and phrasing in pop/rock idioms
  • Rhythmic precision in swing-influenced vocal lines
  • Blending treble and lower voices within period-style arrangements
  • Ensemble confidence in accessible, audience-friendly repertoire

You May Also Like