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Twelve Gates: SoundTrax Digital Audio Download

$22.95 USD
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Twelve Gates Cover Image

Twelve Gates: SoundTrax Digital Audio Download

Traditional Spiritual / arr. Lon Beery

Item: 00-A-00015013

$22.95
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015013

More about this title

About the Arranger: Lon Beery

Lon Beery

Lon Beery brings deep classroom experience to his arranging work, having directed six choruses at Spry Middle School in Webster, New York, where he works with 500 students annually. His published catalog spans over 50 choral pieces across multiple publishers, and his compositions have earned several ASCAP Standard Awards, including a significant honor when his TTBB composition I Believe was performed by the U.S. Army Chorus at President Ronald Reagan's internment service.

Beyond his arranging, Beery has contributed substantially to the choral education field through articles in the Choral Journal and Music Educators Journal, conference presentations at ACDA and MENC, and his role as Middle School Chair for New York ACDA. His work reflects both compositional skill and practical understanding of what works in middle and high school choral settings.

Why we love this

Beery's arrangement taps into the spiritual richness of this traditional text without requiring complex harmonic vocabulary or unusual ranges, making it genuinely singable for mixed choirs at the festival or concert level. The digital accompaniment provides secure harmonic support, allowing your singers to focus on interpretation and the profound emotional content of the piece.

What to expect

The piece carries the contemplative dignity of a spiritual while honoring the theological imagery of its text. There is warmth in the harmonic movement and a sense of quiet conviction, inviting singers to inhabit the sacred narrative rather than merely display technical skill.

Who it's for

This arrangement suits mixed choirs in grades 6-12 and adult community groups seeking repertoire that balances accessibility with artistic depth. Directors who want to program sacred music with strong spiritual resonance but without excessive technical demands will find this a practical choice for concert or festival performance.

How to get the most out of it

  • Balance the melody line across your ensemble; in gospel-inflected arrangements like this one, a single voice part often carries the primary tune and needs clear projection without oversinging.
  • Use the recorded accompaniment in rehearsal to establish harmonic security early, then encourage voices to listen inward toward the inner parts as confidence builds.
  • Shape the phrasing by observing natural text breaks rather than phrase marks alone; spiritual texts often reveal their meaning through deliberate pauses that let words settle.
  • Attend to dynamic subtlety in the inner voices, which often carry counter-lines or rhythmic independence that enriches the harmonic landscape.

How to use it

Place this alongside other spirituals or sacred works to create a thematic concert section that explores the depth and variety within American sacred traditions. It works equally well as an opening piece that sets a reflective tone or as a powerful closing selection that leaves audiences in quiet reflection.

Skills your students will build

  • Singing spiritual-influenced harmonic progressions
  • Balancing melody projection with ensemble blend
  • Interpreting sacred text with appropriate emotional weight
  • Following recorded accompaniments in performance contexts
  • Listening to inner voice independence within choral texture

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