Twelve Gates Cover Image

Twelve Gates: 3-Part Choral Octavo

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Twelve Gates Cover Image

Twelve Gates: 3-Part Choral Octavo

Traditional Spiritual / arr. Lon Beery

Item: 00-27289

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Description
The gospel-style vocals rock, the driving accompaniment kicks it up a notch, but it may be the stop-time section that stands out most in this not-so-traditional arrangement of a traditional spiritual. Lon Beery's careful attention to appropriate vocal ranges is apparent in all voicings, even offering an optional baritone part in the 3-part mixed. With so much going for it, it's hard to say whether this piece is more educational or entertaining. A must have!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Twelve Gates: 3-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081295497
SKU: 00-27289

More about this title

About the Arranger: Lon Beery

Lon Beery

Lon Beery directs six choruses at Spry Middle School in Webster, New York, where he works with approximately 500 students across multiple ensembles. His published works span over 50 choral compositions and arrangements distributed through Alfred Music, BriLee, and other publishers, and his TTBB composition I Believe was performed by the U.S. Army Chorus at President Ronald Reagan's internment service.

Beyond the page, Beery has shaped choral education through scholarly contributions to the Choral Journal and Music Educators Journal, and he regularly leads sessions at state, regional, and national conferences for ACDA and MENC. His work has earned multiple ASCAP Standard Awards, and he currently serves as Middle School Chair for New York ACDA.

Why we love this

Beery's approach to this spiritual brings genuine vitality without sacrificing the young voices singing it. The stop-time section cuts through the energy of the driving accompaniment in a way that feels musically purposeful rather than gimmicky, and the optional baritone part means your voices stay in healthy, confident ranges even as the arrangement asks for real stylistic engagement.

What to expect

Energy that feels earned rather than forced. The arrangement meets the spiritual's traditional roots with modern rhythmic punch and a vocalist's awareness of where to breathe and sustain. Gospel elements appear throughout but never overshadow the clarity of the text.

Who it's for

Middle school and early high school choirs ready to tackle contemporary gospel styling without sacrificing classical vocal health. The three-part voicing with optional baritone part makes it accessible for changing voices while offering enough sophistication to engage maturing singers.

How to get the most out of it

  • Establish the stop-time section with absolute precision in rehearsal; lock the rhythm section first, then layer in the vocal parts so singers understand exactly where the pulse lands when it's silent.
  • The gospel idiom invites swing and rhythmic freedom, but nail down whether your ensemble swings eighth notes or plays them straight before you begin; consistency matters more than style choice.
  • Use the recorded accompaniment early to help singers internalize the groove and stylistic feel, then gradually reduce reliance on it as independence grows.

How to use it

Pair this with a traditional spiritual arrangement in the same concert to show how one text can be approached through different musical lenses. It works equally well as a set-closer that sends the audience out energized or as a mid-program piece that shifts the evening's tempo and mood.

Skills your students will build

  • Gospel rhythmic idioms and swing feel
  • Stop-time coordination between singers and accompaniment
  • Age-appropriate vocal range awareness and flexibility
  • Stylistic interpretation of sacred text in contemporary contexts

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