Time After Time: 2-Part Choral Octavo
Words and music by Rob Hyman and Cyndi Lauper / arr. Andy Beck
Item: 00-PO-0007333
Minimum order quantity: 20 copies
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More about this title
About the Composer: Rob Hyman
Rob Hyman co-wrote 'Time After Time' with Cyndi Lauper in 1984, crafting one of pop music's most enduring ballads. As a composer and keyboardist, Hyman has shaped the sound of 1980s pop and continues to create music that resonates across generations and musical contexts.
His work demonstrates a gift for melody that transcends genre boundaries, making his compositions natural candidates for choral reimagining. Educators and arrangers value his songwriting for its emotional clarity and structural elegance.
Why we love this
Andy Beck's arrangement captures the vulnerability of the original while giving it space to breathe in a choral setting. The addition of cello alongside piano creates sonic warmth that honors the song's emotional core without overshadowing the voices. This is the kind of pop arrangement that reminds audiences why this song has lasted four decades.
What to expect
Intimate and luminous. The cello gives the arrangement a classical elegance that elevates the pop melody without making it precious or overwrought. Your singers will feel the song's tenderness reflected back to them through the accompaniment, making emotional connection almost inevitable.
Who it's for
Choirs comfortable with pop idiom and looking for a showpiece that programs well for graduations, spring concerts, or community events. The 2-part voicing makes it accessible for developing ensembles while the arrangement quality keeps it rewarding for more advanced groups.
How to get the most out of it
- Shape the melody with long phrase lines rather than dwelling on individual notes. The accompaniment (whether recorded or live) will anchor the harmony, so your singers can focus on sustaining and connecting through the text.
- Balance the cello with your singers. It's not a solo instrument here but a partner that doubles and enriches the choral texture. A light touch from your cellist prevents the arrangement from becoming thick.
- Let the lyrics drive interpretation. Singers often rush emotional ballads out of nervousness. Slow your rehearsal tempo slightly and ask your choir what the narrator is feeling in each phrase; pacing will fall into place naturally.
- Consider your acoustic space before deciding between recorded and live accompaniment. A smaller room with good natural resonance may benefit more from live piano and cello than a dry hall where the recording gives you consistent blend.
How to use it
This works beautifully as a concert closer or as a standalone moment of reflection between more energetic selections. Pair it with other pop arrangements to anchor a thematic program about love or lasting connection, or use it as the emotional centerpiece of a graduation ceremony where words feel insufficient.
Skills your students will build
- Sustaining long phrase lines without tonal degradation
- Balancing vocal blend with obligato instrumental lines
- Interpreting pop melody in a concert choral context
- Following conductor while maintaining emotional authenticity