Time After Time: SAB/3-Part Mixed Choral Octavo
Words and music by Rob Hyman and Cyndi Lauper / arr. Andy Beck
Item: 00-PO-0007332
Minimum order quantity: 20 copies
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More about this title
About the Composer: Rob Hyman
Rob Hyman is a songwriter and keyboardist best known for his work with the rock band Cyndi Lauper, co-writing some of her most enduring hits. His ability to craft melodies that combine pop accessibility with emotional substance has made him a vital voice in contemporary music composition. In the classroom, his arrangements teach singers how to honor a song's emotional core while adapting it for ensemble performance.
Why we love this
Andy Beck has arranged this ballad with remarkable restraint, letting the melody and text drive every musical decision rather than overwhelming the piece with harmonic complexity. The cello part adds genuine sophistication without demanding an advanced player, and the SAB voicing sits naturally in the choir's comfortable range. This is the kind of arrangement that makes a strong final concert moment because audiences hear the song they know, sung by voices they believe.
What to expect
This arrangement preserves the intimacy of the original while gaining the warmth of ensemble voices. The cello and piano create a gentle, almost chamber-like texture that supports rather than overwhelms the singers, giving the whole piece a reflective, tender quality. There's real beauty in hearing this familiar song reimagined through the lens of concert choir, where every voice adds something meaningful to the whole.
Who it's for
Any choir looking for a contemporary piece that sits well in mixed voices and connects immediately with audiences. This works equally well for high school and community ensembles, since the arrangement respects the song's pop identity while maintaining choral integrity. Singers appreciate performing it because the melody is singable and the emotional landscape is clear.
How to get the most out of it
- Balance the three parts so the soprano line remains the primary melodic focus; the alto and bass parts exist to support and color rather than compete.
- Work the text with intention during rehearsal. The lyrical content carries the emotional weight, so singers need to understand what they're expressing before you layer in musical nuance.
- Record your rehearsals periodically and listen back as an ensemble. Hearing yourselves reveals intonation issues and blend problems that aren't obvious in the moment.
- Use the cello part to anchor slower passages where the harmonic rhythm naturally opens up; this instrument provides both emotional depth and structural clarity.
How to use it
Place this late in your concert as a moment of reflection and genuine emotion. It pairs beautifully with other contemporary arrangements or with classical pieces that share similar emotional territory. Graduation programs especially benefit from this piece, since the lyrics about connection and memory resonate strongly with families and students in transition.
Skills your students will build
- Singing sustained legit lines that require controlled breath support across longer phrases
- Blending three distinct harmonic parts while maintaining line independence
- Interpreting pop repertoire through a concert choir aesthetic
- Coordinating with instrumental accompaniment (cello and piano) as an integrated ensemble
- Performing with emotional nuance and textual awareness