This Masquerade Sheet Music Preview

This Masquerade: Piano/Vocal/Chords

Item: 00-PS-0015629

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Description
This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the "A" Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Stepped Out of a Dream * Young at Heart.

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Additional Details
Series: The Giant Book of Sheet Music
Publisher: Alfred Music
Page Count: 276
SKU: 00-PS-0015629

More about this title

About the Composer: Leon Russell

Leon Russell (1942-2016) was an American singer, songwriter, and pianist whose career spanned rock, country, blues, and soul. Known as the "Master of Space and Time," Russell built a reputation as a session musician, producer, and bandleader before launching a prolific solo career that earned him recognition as one of rock and roll's most versatile and influential figures. His work as both performer and songwriter demonstrated deep knowledge of American musical traditions across genres.

Russell's influence on popular music extended beyond his own recordings to his role in shaping how standards and classic material could be reinterpreted and presented to contemporary audiences. His approach to music emphasized accessibility and respect for the songbook while maintaining artistic integrity, making him a bridge between classical popular song and modern interpretive practice.

Why we love this

This collection cuts straight to the heart of what musicians actually need: the songs people request, the tunes that work in any setting, and the standards that never wear out. Whether you're building a performance library for a jazz ensemble, assembling material for a vocalist's recurring gigs, or stocking a studio for sessions, these 75 titles represent the real working repertoire of professional musicians across generations.

What to expect

Opening this collection is like stepping into a room where every song carries its own story. The material spans from wistful ballads and romantic duets to uptempo novelty numbers and driving swing tunes, creating a soundscape that moves between intimate vulnerability and exuberant joy. These are songs that audiences recognize instantly, yet each arrangement offers space for genuine interpretation and musicianship.

Who it's for

This collection serves vocalists who perform regularly in jazz clubs, restaurants, wedding venues, and concert settings; pianists building a repertoire for accompanying singers or performing solo; and guitarists who need reliable chord voicings and arrangements for ensemble work. Music directors assembling material for cabaret-style shows or programs featuring American popular song will find this an essential reference.

How to get the most out of it

  • Study the chord changes systematically before performing. Many of these standards feature sophisticated harmonic movement that rewards careful attention to voice leading in the piano accompaniment.
  • Use the piano/vocal/guitar layout to adapt easily across different performance contexts. A piece written for voice and piano can shift to solo piano, keyboard with guitar comping, or full ensemble depending on the occasion.
  • Balance the melody line with accompaniment texture based on your venue and audience. A small club setting benefits from closer listening to the lyrical content, while larger spaces may require clearer harmonic support from the rhythm section.
  • Reference recordings of these standards by classic interpreters to understand the rhythmic and expressive conventions established for each song. Standards carry performance traditions worth learning.

How to use it

Build an evening of standards by selecting pieces that create emotional arc and tonal variety across the program. These songs work equally well as individual feature numbers within a larger concert, as filler material for social events, or as the foundation for a complete cabaret or jazz-focused performance. Use the breadth of the collection to balance your programming throughout the season, pulling different songs as they suit changing performance contexts and collaborators.

Skills your students will build

  • Reading piano/vocal/guitar notation and chord symbol interpretation
  • Recognizing and performing jazz and swing articulation conventions
  • Understanding harmonic sophistication in American standards (ii-V-I progressions, tritone substitutions, secondary dominants)
  • Adapting arrangements across different instrumental combinations and performance spaces
  • Learning standard interpretive conventions and lyrical phrasing for classic popular songs

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