This Day Cover Image

This Day: SAB Choral Octavo

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This Day Cover Image

This Day: SAB Choral Octavo

from Jingle Jangle

Words and music by Philip Lawrence, Davy Nathan, and David Talbert / arr. Lisa DeSpain

Item: 00-49739

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Description
Here's a rhythmic modern-day showstopper with the heart of a timeless classic. This spectacular opening number from the Netflix movie, Jingle Jangle has unmistakable theatrical flair---no surprise since the movie was originally conceived for the stage. The brightly optimistic lyrics will shine at any time of year, not just the holidays! "What I got in my hands could be the spark that turns it all around . . . 'Cause all my life I've waited for this day." Don't miss the impressive SoundTrax accompaniment and a flexible SoundPax orchestration for rhythm and synth. (or optional horns).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, This Day: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081568263
SKU: 00-49739

More about this title

About the Composer: Philip Lawrence

Philip Lawrence is a composer and lyricist whose work spans film, television, and theater. He has contributed songs to major studio productions and brings a distinctive blend of contemporary pop sensibility with theatrical craftsmanship to his compositions.

Why we love this

Lisa DeSpain's arrangement captures the infectious energy of the original while making it genuinely singable for three-part choirs. The piece proves that contemporary movie music can have real theatrical impact in a concert setting without oversimplifying the material or losing its spark.

What to expect

Bright, propulsive, and unapologetically optimistic. The piece moves with theatrical momentum, driven by a modern pop sensibility that feels fresh and immediate. There's genuine joy in the harmonic and rhythmic writing that translates directly to an audience.

Who it's for

This arrangement works beautifully for middle school, high school, and community choirs looking for a contemporary piece with genuine theatrical appeal. The SAB voicing makes it accessible while still offering enough harmonic and rhythmic sophistication to keep accomplished singers engaged.

How to get the most out of it

  • Emphasize the rhythmic precision in the opening figures; this piece thrives on crisp, synchronized attacks across all three parts.
  • Let the optimistic text shape your phrasing; resist over-legato singing that would soften the song's propulsive energy.
  • Balance the divisi sections carefully so that the harmonic movement remains clear rather than muddy.
  • Work with your rhythm section using the SoundTrax accompaniment to lock in the groove, then gradually pull back on accompaniment volume in rehearsal so singers internalize the pulse independently.

How to use it

Open a winter concert with this as your showstopper first number, or anchor a contemporary pop choral set. The lyrics work year-round despite its movie origin, and the theatrical confidence of the arrangement pairs well with either all-pop programming or as a bridge piece in a mixed classical and contemporary program.

Skills your students will build

  • Rhythmic precision in syncopated passages
  • Negotiating divisi voicing within three-part texture
  • Ensemble balance when singing contemporary pop idioms
  • Sustaining energy and commitment through repetitive sectional structures
  • Coordination with recorded accompaniment and optional instrumental parts

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