This Day: SATB Choral Octavo
from Jingle Jangle
Words and music by Philip Lawrence, Davy Nathan, and David Talbert / arr. Lisa DeSpain
Item: 00-PO-0006937
Minimum order quantity: 20 copies
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More about this title
About the Composer: Philip Lawrence
Philip Lawrence is a composer and songwriter who has shaped the sound of contemporary musical theater and film. His work spans Broadway productions, animated features, and major studio films, bringing a distinctive blend of infectious melodies and theatrical sophistication to every project he touches.
Why we love this
This arrangement captures the infectious energy of the original without sacrificing the emotional core of the song. The flexible orchestration (rhythm, synth, and optional horns) means you can adapt the accompaniment to match your rehearsal space and ensemble resources, making it genuinely accessible across different program contexts.
What to expect
Brightly optimistic and propulsive, with the kind of infectious momentum that makes singers and audiences alike feel like something meaningful is happening. The theatrical DNA is unmistakable, yet the song's central message about possibility and hope lands with sincerity, not cynicism.
Who it's for
Directors who want a contemporary showpiece with genuine theatrical appeal and text that resonates year-round. Choirs ready to tackle modern pop idioms and ensemble singers who thrive on rhythmic precision and stylistic variety.
How to get the most out of it
- Lock the rhythmic precision early. The modern pop groove depends on tight ensemble attacks and releases, especially in the syncopated figures the accompaniment establishes.
- Shape the melodic moments with clear phrasing so the optimistic lyrics land emotionally, not just rhythmically. Find the breath points that let meaning shine through the energy.
- Balance your harmonic layers so individual voice parts remain audible within the lush texture. The SoundTrax will fill plenty of space; your choir's job is clarity.
- Experiment with the optional horn voicing. Even if you don't use horns in performance, testing that arrangement during rehearsal can reveal which voices need extra support in certain sections.
How to use it
Open a concert with this as your statement piece, or position it as a midprogram energy shift that resets the room's mood. The lyrics work perfectly outside the holiday season, making it valuable in winter programs that aren't strictly Christmas-focused or in spring and fall repertoire where you want a pop contemporary moment.
Skills your students will build
- Rhythmic precision in modern pop idioms with syncopated figures
- Balancing individual voice parts within layered harmonic textures
- Singing with theatrical expressivity and stylistic authenticity
- Ensemble awareness across SATB voicing with rhythmically independent parts
- Interpretive choices that honor both infectious groove and emotional content