This Day: SATB Choral Octavo
from Jingle Jangle
Words and music by Philip Lawrence, Davy Nathan, and David Talbert / arr. Lisa DeSpain
Item: 00-PO-0006838
Minimum order quantity: 20 copies
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More about this title
About the Composer: Philip Lawrence
Philip Lawrence is a composer and lyricist whose work spans film, television, and theatrical music. He has established himself as a distinctive voice in contemporary pop songwriting, crafting music that balances commercial appeal with genuine emotional resonance. His contributions to projects like Jingle Jangle demonstrate his ability to write material that serves both narrative and standalone performance contexts.
Why we love this
This arrangement captures the infectious energy of the film version while giving choirs a chance to perform a song that genuinely excites audiences. The modern pop idiom paired with theatrical momentum means your singers will connect immediately with the material, and the flexible orchestration (SoundPax with optional horns) lets you scale production from intimate settings to full concert presentations without losing impact.
What to expect
Bright and purposeful. The music radiates optimism and forward momentum, driven by a modern pop groove that feels current without sacrificing harmonic substance. There's theatrical confidence here, the kind that makes singers believe in the message they're delivering.
Who it's for
Directors seeking a contemporary opener with Broadway sensibility that works year-round, even outside holiday programming. This piece engages singers across all levels because the vocal lines remain accessible while the arrangement delivers production value and ensemble cohesion challenges.
How to get the most out of it
- Anchor the rhythmic precision in the rhythm section accompaniment from the start of rehearsals; the syncopated figures in the SoundPax need to lock with the vocal lines rather than sit behind them.
- Shape the lyrical arc from "What I got in my hands" through "this day" as a genuine dramatic statement, not merely uptempo energy. The optimism serves the character's journey.
- If using optional horn parts, balance them carefully in the final section to enhance the unison moments without overwhelming the vocal texture.
- Pay attention to articulation consistency across all four voice parts during the rhythmic passages; uniform diction and note attack create the polished, contemporary sound this arrangement requires.
How to use it
Consider this a concert opener that establishes energy and audience goodwill immediately. Its flexible orchestration makes it equally at home in a spring concert with chamber accompaniment or a holiday season finale with full instrumental support. The uplifting message and contemporary sound pair well with both classic and modern repertoire that follows.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Balancing modern pop phrasing with ensemble blend
- Reading and executing flexible instrumentation cues
- Dramatic storytelling through lyrical interpretation
- Maintaining stylistic consistency across SATB ranges in contemporary music