This Day Cover Image

This Day: SATB Choral Octavo

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This Day Cover Image

This Day: SATB Choral Octavo

from Jingle Jangle

Words and music by Philip Lawrence, Davy Nathan, and David Talbert / arr. Lisa DeSpain

Item: 00-49738

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Description
Here's a rhythmic modern-day showstopper with the heart of a timeless classic. This spectacular opening number from the Netflix movie, Jingle Jangle has unmistakable theatrical flair---no surprise since the movie was originally conceived for the stage. The brightly optimistic lyrics will shine at any time of year, not just the holidays! "What I got in my hands could be the spark that turns it all around . . . 'Cause all my life I've waited for this day." Don't miss the impressive SoundTrax accompaniment and a flexible SoundPax orchestration for rhythm and synth. (or optional horns).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, This Day: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081568256
SKU: 00-49738

More about this title

About the Composer: Philip Lawrence

Philip Lawrence is a composer and lyricist known for his work in film and television, with a particular gift for writing songs that blend contemporary pop sensibility with theatrical warmth. His music for Netflix's Jingle Jangle demonstrates his ability to craft numbers that work equally well as standalone pop songs and as integral moments in a larger narrative.

Why we love this

This piece delivers genuine theatrical energy without requiring elaborate staging or technical cues. The lyrics pack motivational punch that resonates far beyond holiday season, and the rhythmic drive combined with the SoundTrax accompaniment and flexible SoundPax options (rhythm, synth, or optional horns) make it equally at home as a concert opener, a winter concert highlight, or a spring pops program feature.

What to expect

Bright, propulsive, and genuinely optimistic. The rhythmic drive and contemporary harmonic language feel current and engaging, while the core message about possibility and transformation carries real emotional weight beneath the upbeat energy. This is modern pop writing with substance.

Who it's for

Directors leading high school, college, or community choirs who want a concert opener with modern appeal and genuine theatrical punch. Singers at this level thrive on the contemporary style and motivational text, and the piece works equally well whether you use the full recorded accompaniment or the flexible SoundPax orchestration option.

How to get the most out of it

  • Lean into the rhythmic precision of the arrangement. The contemporary groove depends on singers locking into the accompaniment's pulse rather than pulling ahead or dragging.
  • Shape the dynamic arc across the full piece. The optimistic lyrics invite bright sound, but the arrangement has room for contrast; find moments to pull back slightly so the final payoff feels earned.
  • Balance the blend between parts carefully during the unison or near-unison sections. Blend here creates a stronger impact than soloistic tone.
  • Coordinate with your accompaniment track well in advance. The SoundTrax recorded accompaniment is a full partner in the arrangement, not background; rehearse together to ensure ensemble confidence with the track's specific tempo and feel.

How to use it

Open a winter or spring concert with this piece to set an energetic, hopeful tone. Its theatrical flair and contemporary sound also make it an excellent fit alongside other modern pop-choral repertoire, and the text's universal message means it works beautifully outside of holiday-specific programming.

Skills your students will build

  • Rhythmic precision in contemporary pop style, including syncopation and groove-based phrasing
  • Blending and balance in SATB voicing with attention to contemporary harmonic language
  • Singing with a recorded accompaniment and responding to the track's specific tempo and groove
  • Dynamic control and shaping in fast-moving, energetic material

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