The Winner Takes It All Cover Image

The Winner Takes It All: SoundTrax Digital Audio Download

$27.99 USD
Sale price  $27.99 USD Regular price 
Skip to product information
The Winner Takes It All Cover Image

The Winner Takes It All: SoundTrax Digital Audio Download

From the smash hit Musical Mamma Mia!

Words and music by Benny Andersson and Björn Ulvaeus / arr. Greg Gilpin

Item: 00-A-00014928

$27.99
Digital Download

One moment…

Description

The Winner Takes It All: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014928

More about this title

About the Composer: Benny Andersson

Benny Andersson is best known as the keyboardist and one of the primary songwriters for ABBA, the Swedish pop phenomenon that dominated the 1970s and 1980s. His gift for crafting infectious melodies and sophisticated harmonic arrangements earned him four Grammy Awards and made ABBA one of the best-selling music artists of all time. Beyond his work with the band, Andersson has composed for film and musical theater, bringing the same ear for memorable hooks and lush production to new contexts.

For music educators, Andersson's catalog offers repertoire that engages singers through instantly recognizable melodies and modern harmonic language. His work demonstrates how pop songwriting can coexist with genuine musicality, making it ideal for choirs seeking material that resonates with contemporary audiences while maintaining artistic integrity.

Why we love this

Greg Gilpin's arrangement captures the emotional depth that makes this song enduring while keeping the voicing accessible for high school and community choirs. The recorded accompaniment lets you focus on teaching the choir's part without needing a pianist, and the pop idiom itself draws singers in immediately. Programming a song this recognizable builds genuine investment in the performance.

What to expect

The song carries a bittersweet resignation tempered by defiant confidence. Gilpin's arrangement likely honors that duality, moving between moments of vulnerability and passages where the choir can sink into the groove with satisfaction and presence.

Who it's for

This works for high school and community choirs looking to perform contemporary pop music with serious musical content. Singers at all levels respond to the immediate familiarity of the melody while still finding interpretive challenges in the harmonic and emotional landscape.

How to get the most out of it

  • Balance the melody against the harmony parts; the hook is what audiences recognize, so ensure the soprano line sits clearly on top without drowning out the inner voices.
  • Shape the phrasing in long arcs rather than stopping at bar lines. This song lives in its sustained emotional quality, not in rhythmic punctuation.
  • Use the recorded accompaniment to lock in the groove early in rehearsals, then gradually reduce dependency on it as the choir gains confidence with intonation and blend.
  • Pay attention to vowel consistency on the famous hook melody. Small shifts in vowel will undermine the recognizability of the tune.

How to use it

Place this as a contrast piece in a concert built around contemporary or mixed repertoire. Its recognizability makes it an excellent audience connector, and programming it alongside art songs or classical choral works demonstrates the range your choir can handle. It also works well as a show-closer that leaves the audience on a contemporary, energized note.

Skills your students will build

  • Blending pop idioms with choral technique
  • Sustaining long phrases with consistent breath support
  • Balancing melody prominence in close harmony voicing
  • Responding to recorded accompaniment and ensemble independence
  • Expressive interpretation within a pop/contemporary context

You May Also Like