The Glory of Love Cover Image

The Glory of Love: Choral Octavo SoundTrax CD

$27.99 USD
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The Glory of Love Cover Image

The Glory of Love: Choral Octavo SoundTrax CD

Arr. Jay Althouse

Item: 00-3825

$27.99
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Description
An easy-to-teach arrangement of a great, standard song recently sung by Bette Midler in the movie 'Beaches.' The lazy, swing tempo arrangement highlights the conversational nature of the text...great for staging. 'Give a little, take a little, that's the Glory of Love.'

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081046006
SKU: 00-3825

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse studied Music Education and Music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. He spent eight years in the educational music publishing industry managing rights and licenses, serving a term on the Executive Board of the Music Publishers Association of America during that tenure.

Althouse has composed more than 800 choral works across all difficulty levels, performed regularly in English-speaking choirs worldwide. His output spans vocal solo collections, children's musicals (co-written with Sally K. Albrecht), choral resources including The Complete Choral Warm-up Book and Accent on Composers, and classroom materials for music literacy and composer study. As a writer member of ASCAP, he is a frequent recipient of the ASCAP Special Award for his work in standard music. He has served the North Carolina Master Chorale and presently sits on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse captures the conversational ease of this standard while locking in the swing groove that makes it singable and fun. The arrangement lives in the space between pop simplicity and choral sophistication, which means your singers get immediate rewards without sacrificing musical substance. The staging opportunities baked into the piece give you natural material to work with rather than something you have to retrofit.

What to expect

Warm and easygoing, like a conversation between friends over coffee. The melody sits naturally in the voice while the swing rhythm underneath gives everything a light lift and forward motion.

Who it's for

Directors looking for a secure pop standard that teaches swing feel without heavy lifting. This works equally well in middle school or high school choirs that want a recognizable song with real performance potential and movement built in.

How to get the most out of it

  • Keep the tempo genuinely lazy and relaxed; rushing this arrangement turns the swing feel into straight rhythm and kills the charm.
  • Use the recorded accompaniment to anchor your initial rehearsals, then encourage singers to find their own conversational phrasing once the harmonic foundation is secure.
  • Stage the 'give a little, take a little' text as genuine exchange between voice parts or individuals rather than unison declaration; the dialogue is the whole point.

How to use it

Program this as a mood lighter on a concert with heavier classical work, or as a first-half closer that energizes the audience before intermission. It pairs well alongside other accessible pop standards and works beautifully as a spring concert or end-of-year showcase selection.

Skills your students will build

  • Swing rhythm and jazz articulation in a choral context
  • Conversational phrasing and text interpretation in contemporary music
  • Ensemble staging and blocking coordination
  • Listening for and singing layered harmony in pop/jazz voicing

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