The Glory of Love: 3-Part Mixed Choral Octavo

Jay Althouse's arrangement captures the conversational warmth of the original while making it genuinely singable for mixed voices at an accessible level. The swing tempo and built-in staging potential transform a familiar standard into something your choir can actually inhabit and perform with personality, not just sing through.

Warm, conversational, and gently swinging. The arrangement has a vintage Hollywood quality without feeling stiff; it invites singers to smile and engage with the audience rather than perform at them. There's a lightness here that makes the emotional message land through simplicity rather than grandeur.

This octavo works beautifully for choirs seeking pop repertoire that feels current and performance-ready without requiring advanced technique. Directors working with mixed-voice ensembles at the high school level or community choir setting will find the SAB voicing manageable while the famous text gives singers immediate connection to the material.

• Treat the text conversationally; these lines are meant to feel like characters talking to each other, not a proclamation. Encourage singers to listen to each other across the parts and respond with natural phrasing.
• Lean into the swing feel without rushing. The lazy tempo should feel relaxed and grounded, which means steady rhythm section support from your accompanist.
• Use the staging suggestions in the score actively. Movement and staging aren't decorative here; they're built into how Althouse shaped the arrangement, so blocking choices become part of your musical interpretation.

Pair this with other standards or pop songs to build a concert segment that celebrates American songwriting across genres. The accessible level and built-in staging potential also make it ideal for a spring concert or end-of-year performance where your ensemble can showcase personality alongside musical growth.

• Swing rhythm interpretation and feel
• Conversational phrasing and text communication
• SAB voicing and part independence in mixed ensembles
• Choreography integration with singing
• Stylistic authenticity in pop and jazz-influenced arrangements