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Thank You: Choral Octavo SoundTrax CD

$27.99 USD
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Thank You Cover Image

Thank You: Choral Octavo SoundTrax CD

As Recorded by Jim Brickman

Words and music by Jim Brickman and Victoria Shaw / arr. Jay Althouse

Item: 00-35716

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Description
Revolutionary pianist and composer Jim Brickman and American Idol contestant Matt Giraud have combined their considerable talents to bring us the ultimate appreciation choral for spring and end-of-the-year concerts. "I don't want to let another day pass us by without a chance to say thank you." The perfect way to acknowledge parents, teachers, and friends.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081399126
SKU: 00-35716

More about this title

About the Composer: Jim Brickman

Jim Brickman

Jim Brickman established himself as a composer and pianist whose instrumental music reaches millions through radio, streaming, and live performance. His approach to songwriting centers on emotional accessibility; he crafts pieces designed to move listeners and mark significant life moments through melody and harmonic clarity.

Victoria Shaw, who collaborated with Brickman on this lyric, brings her own songwriting sensibility to the text. Together, they created a message of gratitude that resonates across generations. Jay Althouse's arrangement translates their vision into choral voice parts that remain singable while preserving the emotional directness of the original composition.

Why we love this

This piece arrives at the exact moment spring concerts need it most: a song that honors relationships without sentimentality, with a pop sensibility that engages young singers and audiences alike. The recorded accompaniment means your choir can sound full and confident immediately, even with limited rehearsal time. Giraud's original performance demonstrates how genuine gratitude translates across the printed page.

What to expect

Warm and sincere, with a contemporary pop sensibility that feels like overhearing someone's genuine appreciation rather than listening to a formal tribute. The melody sits comfortably in the voice and unfolds with the kind of inevitability that makes the message land naturally. You'll hear the piano's influence in the arrangement: clear, supportive, and never overshadowing the human voices.

Who it's for

Choir directors planning spring or end-of-year concerts who want a genuine thank-you song that connects with both singers and audiences. This works for middle school through adult choirs, since the melody and harmonic language stay accessible while the sentiment feels authentic rather than saccharine. The pop style appeals to singers weary of traditional choral repertoire while remaining appropriate for family and school settings.

How to get the most out of it

  • Balance the melody line clearly through the chorus sections; the piano accompaniment will support harmonic texture, so singers can focus on delivering the lyric with natural phrasing rather than fighting to lock chords.
  • Shape the opening phrases with subtle dynamic lift to draw listeners in before the main hook arrives; resist the impulse to start at full volume.
  • Communicate the conversational tone of the text; this is direct address, not reflection, so encourage articulation and forward motion through the lines.
  • Use the recorded accompaniment as your rehearsal baseline, but consider performing it live with piano if ensemble maturity allows, since the intimate piano style gives singers room to breathe expressively.

How to use it

Program this as a concert closer for spring or year-end celebrations; it gives audiences a moment to reflect on community and connection before leaving the venue. Pair it with one substantial repertoire piece and perhaps a lighter selection to create a program that feels complete without exhausting your singers or rehearsal time. The recorded accompaniment makes it feasible to learn and perform even late in the season when other demands peak.

Skills your students will build

  • Singing with authentic emotional expression in pop/contemporary style
  • Balancing melody line clarity against harmonic support
  • Phrasing in contemporary vocal music (avoiding over-legit singing)
  • Ensemble blend in unison and homophonic textures
  • Connecting text meaning to musical interpretation

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