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Brickman's pop sensibility translates beautifully to the choral setting without feeling oversimplified. Jay Althouse's arrangement respects the melodic strength of the original while giving your singers material that feels modern, singable, and genuinely moving. The recorded accompaniment lets your group sound polished from rehearsal one.

Warm and sincere without sentimentality. The piece unfolds with a gentle groove underneath expressive vocal writing, creating space for real emotion to breathe. It feels like a conversation set to music rather than a performance piece constructed from technical devices.

This arrangement works for intermediate to advanced choral ensembles seeking contemporary pop literature with genuine musical substance. It suits community choirs, high school and college programs, and mixed-voice groups performing concert or pops-style programs.

• Balance the melodic line clearly across your sections; the song's emotional power depends on the tune cutting through the harmony.
• Use the recorded accompaniment early in rehearsals to establish style and tempo, then gradually reduce reliance on it so singers internalize the groove.
• Pay attention to lyrical phrasing rather than mechanical rhythm. Breathe with the meaning, not just at bar lines.
• Shape dynamics through the verse to build toward the chorus; resisting the urge to sing full volume early keeps the arc intact.

Program this as a shorter set-piece or finale that shifts the concert mood toward something contemporary and accessible. It works particularly well in pops concerts, spring programs, or mixed repertoire seasons where you want to showcase your singers' ability to handle modern idiom with sophistication.

• Stylistic awareness in contemporary pop arranging
• Balancing melody and harmony in texturally dense writing
• Singing with a rhythmic groove while maintaining musicality
• Expressive phrasing in a pop context