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Sound Innovations para Orquesta de cuerdas, Libro 1, Segunda edición, en español: Violin Book & Online Media

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Sound Innovations para Orquesta de cuerdas, Libro 1, Segunda edición, en español Cover Image

Sound Innovations para Orquesta de cuerdas, Libro 1, Segunda edición, en español: Violin Book & Online Media

El método integral para músicos principiantes

By Bob Phillips, Peter Boonshaft, and Robert Sheldon

Item: 00-52386

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Sound Innovations para Orquesta de cuerdas, Libro 1, Segunda edición, es el método para estudiantes principiantes de cuerdas más completo y elaborado con una reflexión pedagógica sin igual. Creado con la colaboración de miles de docentes, presenta un diseño de páginas limpio y fácil de seguir, así como un avance progresivo y ordenado en el desarrollo de habilidades. Cada ejercicio cuenta con objetivos claros, refuerzo constante de los nuevos conceptos, oportunidades de interpretación, una amplia variedad de estilos musicales y recursos pedagógicos innovadores para el aula y la práctica individual. Las cabezas de nota no incluyen el nombre de la nota, favoreciendo así el desarrollo acelerado de la lectura musical. El libro se estructura en seis niveles concisos que ofrecen criterios de avance, pautas de evaluación y metas intermedias para guiar a estudiantes y docentes en cada etapa del aprendizaje.

Cada libro incluye acceso gratuito a SI Online, una plataforma robusta con hojas de trabajo, pistas de práctica, melodías alternativas, piezas adicionales para orquesta de cuerdas, videos instructivos por instrumento y mucho más---todo disponible sin necesidad de iniciar sesión. Las pistas de acompañamiento pueden ralentizarse, acelerarse y configurarse en modo de repetición para trabajar los pasajes más difíciles. Los archivos PDF incluyen teoría musical, historia, ejercicios de escalas, páginas de ritmos, piezas de técnica y más para el refuerzo y la personalización del aprendizaje en el aula o en casa. Estos recursos acompañan al estudiante desde sus primeras notas hasta su interpretación final, mientras que ofrecen al docente la facilidad de adaptar el ritmo y la instrucción a las necesidades particulares de su ensamble. Por el momento, los recursos de SI Online están disponibles únicamente en inglés. Si bien este contenido digital constituye un recurso valioso para este método, los videos y materiales adicionales aún no han sido traducidos al español.

El Libro 1, Segunda edición, está disponible de forma gratuita en MakeMusic Cloud, una herramienta interactiva de práctica que motiva a tus estudiantes y simplifica la evaluación. Además, con una suscripción de pago se puede acceder a SI CenterStage---con un repertorio de melodías populares para todos los instrumentos, ¡desde canciones de Disney hasta grandes éxitos del pop!

Sound Innovations para Orquesta de cuerdas, Libro 1, Segunda edición, en español: Violin Book & Online Media isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8236-2
ISBN13: 978-1-4706-8236-1
UPC: 038081607092
SKU: 00-52386
Instrumentation: Violin

More about this title

About the Authors

Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, conductor, and educator who has fundamentally shaped string education through innovative pedagogy and genre-spanning arrangements. His expertise in large group instruction and eclectic musical styles has made him one of the most influential educational composers of his generation, with thousands of string students performing his works annually.

Phillips has authored more than 25 book series for classroom use, including all six levels of Sound Innovations and the groundbreaking eclectic styles collections Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. Over 200 of his compositions for orchestras and bands have been published, earning him recognition as an award-winning ASCAP composer whose works regularly appear at the Midwest Clinic. His instructional DVDs, String Clinics to Go, have reached thousands of teachers worldwide.

For 27 years in Saline, Michigan, Phillips built a string program that grew to over 700 students and became a national model for excellence in both classical and eclectic music. He founded the Saline Fiddlers Philharmonic, which under his direction achieved international acclaim through more than 80 performances annually, including multiple appearances at the White House and the Midwest Clinic. Phillips has conducted extensively with youth orchestras, honor ensembles, and all-state programs across the country, including at Interlochen, Blue Lake Fine Arts Camp, and the Queensland Honour Ensemble Program. He served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional string ensemble Barrage 8.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most dynamic voices in music education. He currently serves as Director of Education for Jupiter Band Instruments and holds the rank of Professor Emeritus of Music at Hofstra University. His influence extends through his widely followed "Boonshaft's Blog," which reaches music educators across the globe.

Boonshaft has earned extraordinary recognition throughout his career. He was the inaugural recipient of the prestigious George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. His other honors include membership in Pi Kappa Lambda and Alpha Chi, three selections as a National Endowment for the Arts "Artist in Residence," and the Al G. Wright Award of Distinction from the Women Band Directors International. He has received official proclamations from five state governors and a Certificate of Appreciation from former President Ronald Reagan.

Throughout his career, Boonshaft has served on the faculties of both Moravian College and the University of Hartford, where he earned multiple teaching awards. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. As a conducting specialist, he holds a Doctor of Musical Arts degree along with a Master of Music Education in Conducting and a Bachelor of Music (Summa Cum Laude). His educational credentials also include a Certificate from the Kodály Musical Training Institute, supported by a Connecticut General Fellowship. Boonshaft has conducted and spoken in all fifty states and internationally, performing for multiple U.S. presidents and former British Prime Minister Margaret Thatcher.
Robert Sheldon
Robert Sheldon stands among today's most widely performed composers for wind band. He serves as lead author of Sound Innovations for Concert Band and has built a distinguished career creating works that connect meaningfully with both performers and listeners. His compositions are heard in concert halls and on competition stages across the globe.

Throughout his career, Sheldon has earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. He maintains an active commissioning schedule and produces numerous publications for concert band annually. In 2020, VanderCook College of Music honored him with a doctorate degree.

Sheldon regularly appears as a guest conductor for All-State and Regional Honor Bands while serving as a clinician and presenter at universities and state music education conferences nationwide. His work has taken him to Japan, Canada, Italy, Germany, Australia, and China. His compositions have been performed in prestigious venues including Carnegie Hall, Orchestra Hall, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.

Why we love this

The pedagogical architecture here is exceptional: six clearly defined levels with explicit progression criteria, assessment guidelines, and intermediate checkpoints mean both students and teachers know exactly where they stand. Sound Innovations was built by working with actual classroom educators, so the pacing respects how beginners actually learn rather than how method book writers think they should learn. The note head design (no letter names) accelerates reading fluency from the start, and the online platform transforms individual practice into something genuinely interactive without requiring login hassles.

What to expect

The pages themselves breathe. Exercises are purposeful and uncluttered, each one building on what came before while introducing something fresh. Early success feels earned rather than given, and the breadth of musical styles means students encounter folk melodies, rhythmic grooves, and classical writing all within their developing abilities. There's permission to sound musical from the very beginning.

Who it's for

Violin students beginning their string journey need a method that respects their intelligence while building technique systematically. This book serves first-year violinists who benefit from clear objectives, immediate reinforcement, and the freedom to explore musical styles beyond classical repertoire. Teachers building or strengthening a string program will find a curriculum that adapts to individual and group progress without requiring constant supplementation.

How to get the most out of it

  • Use the SI Online accompaniment tracks to establish secure intonation and rhythmic confidence before attempting ensemble rehearsals. The tempo adjustment feature lets you slow passages to a manageable speed while maintaining accompaniment texture.
  • Work through the clearly marked objective at the top of each exercise before moving forward; this keeps focused practice from becoming mindless repetition.
  • Access the PDF theory and rhythm pages when a new concept appears in the book. These reinforce learning through written work rather than relying only on instrumental practice.
  • Rotate through the varied musical styles within each level. Students develop greater musicianship when they apply the same technical skills to folk, classical, world music, and rhythmic styles rather than staying in one genre.

How to use it

Begin with Libro 1 as the foundational curriculum for all first-year string students, progressing through the six levels as a scope and sequence over multiple years. The online materials allow differentiation within a single rehearsal: stronger readers can work on alternate melodies or additional pieces while others solidify fundamentals. Use the assessment checkpoints at the end of each level to determine readiness for advancement rather than time-based progression.

Skills your students will build

  • Reading on the staff without note-name letter cues
  • Developing consistent bow control and bow patterns
  • Intonation awareness and pitch accuracy in position
  • Rhythmic literacy across multiple meters and subdivisions
  • Foundational music theory including clefs, scales, and interval identification
  • Playing in ensemble with secure rhythm and blend
  • Interpreting musical styles beyond classical (folk, rhythmic, world music traditions)
  • Evaluating personal progress using clear pedagogical criteria

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