Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Trumpet & Piano Book

$25.00 USD
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Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Trumpet & Piano Book

Arr. David Marlatt

Level: Medium-Difficult

Item: 81-SPS974

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Description
This addition to the Eighth Note Publications library is a set of volumes containing some of the most famous classical pieces which have been arranged for various solo instruments with keyboard accompaniment. This collection is ideal for solo recitals, master classes, concerts, weddings, church services or receptions. The playable accompaniment parts are designed to reduce the time of rehearsal with the pianist/organist and to best show the soloist's musicality. Pieces in this collection are: Largo from New World Symphony, Anitra's Dance from Peer Gynt Suite, Largo from Winter (Four Seasons), The Prince and the Princess from Scheherazade, Air from Orchestral Suite in D, Movement 1 from Autumn (Four Seasons) and Largo from Xerses.

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Sample Pages

No sample pages found.

Sample Audio
1 Allegro from Autumn --:--
2 Largo from Winter --:--
3 Largo from Xerses --:--
4 Prince and Princess --:--

Allegro from Autumn

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Additional Details
Series: Eighth Note Publications: Solo Performer Series
Publisher: Eighth Note Publications
ISBN10: 1-55472-903-3
ISBN13: 978-1-55472-903-6
UPC: 685462007677
SKU: 81-SPS974
Instrumentation: Trumpet & Piano

More about this title

Why we love this

Marlatt's arrangements prioritize the soloist without overwhelming the trumpet part or demanding excessive rehearsal time with the accompanist. The collection pairs instantly recognizable pieces with genuinely playable piano parts, making it straightforward to assemble quality recital programs that audiences love. This is the kind of book that gives you seven concert-ready pieces without the headache of finding compatible accompaniments across different publishers.

What to expect

These arrangements bring the grandeur of famous orchestral moments into intimate performance spaces. Each piece carries the weight of its original composition while feeling fresh on the trumpet; you're playing music audiences recognize but experiencing it through a soloist's lyrical lens rather than a conductor's orchestral palette.

Who it's for

Intermediate to advanced trumpet players preparing solo recitals, master class performances, or festival competitions. Church musicians and wedding musicians will find these pieces blend accessibility with musicality, offering repertoire that sounds polished with reasonable rehearsal investment.

How to get the most out of it

  • Balance the lyrical character of these orchestral reductions with the trumpet's natural projection; these pieces were written for large ensembles, so resist the urge to force volume and instead shape phrases with dynamic nuance.
  • Take time in rehearsals to establish clear communication with your pianist around tempo and breathing; the accompaniment is written to follow the soloist, so use that flexibility to emphasize the emotional arc of each piece.
  • Since several pieces (Largo from New World Symphony, Largo from Winter, Air from Orchestral Suite in D) share introspective character, find subtle tonal color differences between them to keep a recital program engaging.
  • Listen to multiple orchestral recordings of these pieces before performing; understanding the original instrumentation and texture will help you shape your trumpet line with appropriate phrasing and breathing.

How to use it

Build a recital around the contrasting character of these seven pieces: the drama of Scheherazade, the folk simplicity of Peer Gynt, the seasonal storytelling of Vivaldi and Grieg, and the baroque elegance of Handel. The book works equally well for a themed concert (seasons, cultures, compositional styles) or as a core collection to supplement with additional contemporary solo repertoire.

Skills your students will build

  • Sustaining long lyrical phrases with consistent tone and breath control
  • Navigating orchestral arrangements written idiomatically for trumpet
  • Balancing solo articulation and phrasing with keyboard accompaniment
  • Building recital programming with cohesive and contrasting character
  • Performing from score with reliable piano partners in ensemble contexts

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