Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Alto Saxophone & Piano Book

$25.00 USD
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Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Alto Saxophone & Piano Book

Arr. David Marlatt

Level: Medium-Difficult

Item: 81-SPS976

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Description
This addition to the Eighth Note Publications library is a set of volumes containing some of the most famous classical pieces which have been arranged for various solo instruments with keyboard accompaniment. This collection is ideal for solo recitals, master classes, concerts, weddings, church services or receptions. The playable accompaniment parts are designed to reduce the time of rehearsal with the pianist/organist and to best show the soloist's musicality. Pieces in this collection are: Largo from New World Symphony, Anitra's Dance from Peer Gynt Suite, Largo from Winter (Four Seasons), The Prince and the Princess from Scheherazade, Air from Orchestral Suite in D, Movement 1 from Autumn (Four Seasons) and Largo from Xerses.

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Sample Audio
1 Largo from Winter --:--
2 Largo-New World --:--

Largo from Winter

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Additional Details
Series: Eighth Note Publications: Solo Performer Series
Publisher: Eighth Note Publications
ISBN10: 1-55472-905-X
ISBN13: 978-1-55472-905-0
UPC: 685462007691
SKU: 81-SPS976
Instrumentation: Alto Saxophone & Piano

More about this title

Why we love this

Marlatt's arrangements respect the original orchestral textures while keeping the piano part genuinely collaborative rather than subordinate. Each piece sits naturally on the alto saxophone, which means your students spend rehearsal time on musicality and interpretation, not fighting the instrument. The repertoire itself is instantly recognizable and beloved, so audiences connect immediately with what they're hearing.

What to expect

You're stepping into some of music's most lyrical and contemplative moments. Dvorak's Largo speaks with quiet depth; Grieg's Anitra's Dance dances with understated elegance; Vivaldi's Winter carries you through crystalline passages. The alto saxophone's natural warmth suits every piece here, and the piano provides harmonic richness without overshadowing.

Who it's for

Alto saxophonists preparing for solo recitals, competitions, or special concert performances who want substantial classical repertoire without the complexity of full orchestral scores. This collection works equally well for advanced high school soloists and undergraduate music majors seeking concert-ready material.

How to get the most out of it

  • Balance the alto's warm middle register against the piano's fuller sonority in the opening phrases; the saxophone shouldn't compete for volume but should project with tonal clarity.
  • Use dynamic contrast to shape longer lines. These arrangements give you space to breathe and phrase expressively without rushing through sustained passages.
  • Coordinate entrance timing carefully during the initial rehearsals with piano. Even a half-beat of uncertainty will undermine the classical poise these pieces demand.
  • Let the piano establish harmonic and rhythmic foundation in the first week of rehearsal; this frees you to focus on intonation and articulation in your subsequent sessions together.

How to use it

Feature one or two pieces as solo selections in an ensemble concert, or build an entire recital around this collection if you have the performance time. These pieces work beautifully in wedding ceremonies and reception settings where classical sophistication is desired. Master class instructors will find each arrangement valuable for demonstrating phrasing, intonation control, and collaborative listening between soloist and accompanist.

Skills your students will build

  • Lyrical phrasing in extended melodic lines
  • Dynamic control and subtle tonal shaping
  • Rhythmic precision and stylistic awareness in classical contexts
  • Communication and balance with an accompanist
  • Intonation stability across different registers and tempos
  • Interpretation of well-known melodies with personal musicality

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