Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Oboe & Piano Book

$25.00 USD
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Solo Performer Series, Volume 1 Cover Image

Solo Performer Series, Volume 1: Oboe & Piano Book

Arr. David Marlatt

Level: Medium-Difficult

Item: 81-SPS972

$25.00
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Description
This addition to the Eighth Note Publications library is a set of volumes containing some of the most famous classical pieces which have been arranged for various solo instruments with keyboard accompaniment. This collection is ideal for solo recitals, master classes, concerts, weddings, church services or receptions. The playable accompaniment parts are designed to reduce the time of rehearsal with the pianist/organist and to best show the soloist's musicality. Pieces in this collection are: Largo from New World Symphony, Anitra's Dance from Peer Gynt Suite, Largo from Winter (Four Seasons), The Prince and the Princess from Scheherazade, Air from Orchestral Suite in D, Movement 1 from Autumn (Four Seasons) and Largo from Xerses.

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Sample Pages

No sample pages found.

Sample Audio
1 Air on G String --:--
2 Anitra s Dance --:--
3 Largo from Xerses --:--
4 Largo-New World --:--
5 Prince and Princess --:--

Air on G String

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Sample Video
Additional Details
Series: Eighth Note Publications: Solo Performer Series
Publisher: Eighth Note Publications
ISBN10: 1-55472-901-7
ISBN13: 978-1-55472-901-2
UPC: 685462007653
SKU: 81-SPS972
Instrumentation: Oboe & Piano

More about this title

Why we love this

These arrangements capture the essential character of beloved orchestral works while keeping the oboe genuinely centered on the stage. The piano parts are genuinely playable for working musicians, which means you spend rehearsal time refining musicality instead of wrestling with accompaniment complexity. You get seven substantial pieces from the Romantic canon in one book, each offering a different mood and technical demand.

What to expect

Intimate and reflective. These are the spare, lyrical moments from larger orchestral tableaux—Dvořák's gentle homecoming theme, Grieg's Nordic landscape, Vivaldi's winter chill. The oboe emerges as a voice of quiet expressiveness, supported by thoughtful harmonic and rhythmic grounding from the piano.

Who it's for

Oboe recitalists building a solo repertoire and advanced students preparing audition material or master class repertoire. Church musicians and wedding musicians will find reliable, elegant pieces that suit formal occasions without requiring orchestral forces.

How to get the most out of it

  • Balance the oboe's voice against the piano with intentional dynamic shaping. The piano need not be soft simply because it's accompanying; listen for where it doubles or comments on the oboe's line and coordinate those moments carefully.
  • Attend to the dramatic arc of each piece as a whole. These are excerpts from larger works, so clarity about the emotional center (whether it's lyrical repose or dynamic storytelling) will guide your phrasing and tempo choices.
  • Work closely with your pianist from the first read-through. The arrangements preserve orchestral textures, and the piano often carries harmonic or coloristic material that shapes how the oboe's melody lands. Rehearsal time spent in genuine collaboration pays dividends.

How to use it

Open a recital with one of the more energetic pieces (the Autumn movement or Scheherazade excerpt) to establish presence, then move into the more introspective Largos. The variety of mood and era across the collection makes these pieces natural anchors for thematic programming or mixed-repertoire recitals that pair classical standards with contemporary or newly commissioned works.

Skills your students will build

  • Phrasing in lyrical, sustained melodic lines without instrumental vibrato or other extended techniques
  • Balancing legit oboe tone across a wide dynamic range in Romantic-era music
  • Collaboration with keyboard players and attention to ensemble rhythm and harmonic support
  • Interpretation of familiar melodies while honoring orchestral context and arrangement choices

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