Solo Performer Series, Volume 1: Tuba & Piano Book

These transcriptions bring the expansive, lyrical quality of orchestral masterworks into intimate solo settings. Whether you're navigating the dreamlike Largo from Winter or the exotic grandeur of Scheherazade's prince theme, the piano provides harmonic warmth and structural clarity that lets your voice speak clearly.

Tuba soloists preparing for recitals, competitions, or church and wedding performances. This collection suits intermediate to advanced players seeking substantial repertoire that avoids extreme technical demands while maintaining artistic depth.

• Balance your tone with the piano; the accompaniment is written to complement, not overpower. Listen actively to the harmonic foundation rather than relying solely on lead-the-way instinct.
• Allow the pianist space to shape phrases during sustained notes and rests. These pieces benefit from collaborative phrasing, especially in the slower movements like the Largo from New World Symphony.
• Pay attention to dynamic markings in both parts. Marlatt's arrangements often feature subtle accompaniment shifts that highlight structural points in the music.
• The piano part is designed to be learned efficiently, so schedule minimal rehearsals with your accompanist. Use those rehearsals to refine ensemble communication rather than sight-reading together.

Build a solo recital around this book by pairing selections with original tuba repertoire and contemporary works. The pieces work equally well in formal concert settings, church services, and community performances where familiar melodies resonate with audiences unfamiliar with tuba as a solo voice.

• Sustaining long lyrical lines with consistent tone color
• Balancing solo voice with piano accompaniment in ensemble context
• Shaping phrases across extended ranges in classical style
• Interpreting standard classical articulation and expression markings
• Learning efficient rehearsal practices with collaborative musicians