Silent Night Cover Image

Silent Night: Choral SoundPax

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Silent Night Cover Image

Silent Night: Choral SoundPax

Arr. Mark Hayes

Item: 00-21796

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Description
Includes parts for 2 flute, oboe, clarinet, bassoon, harp, 2 percussion and synthesizer.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Silent Night: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
UPC: 038081211893
SKU: 00-21796
Instrumentation: 2 fl., oboe, cl., bassoon, harp, perc., synth.

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes brings three decades of experience as a composer, arranger, and conductor to his extensive catalog of over 1,750 published works. A summa cum laude graduate in Piano Performance from Baylor University, Hayes has guest-conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, while also premiering major sacred works including his Requiem at Lincoln Center and at St. Ignatius Basilica in Rome as part of the Vatican-sponsored Festival Pro Musica E Arte Sacra.

Beyond the concert hall, Hayes has shaped Christian music education through commissions and collaborations spanning treble choirs, mixed ensembles, and orchestral forces. His work earned the 2010 Award for Exemplary Leadership in Christian Music from Baylor University's Center for Christian Music Studies. Whether composing sacred choral works or orchestrating theatrical productions, Hayes maintains a commitment to creating music that serves both performers and audiences across the globe.

Why we love this

Hayes treats this beloved carol with sophistication that never overshadows its essential simplicity. The orchestration balances transparency with warmth, allowing the choir to lead while the winds and harp create an intimate, reverent foundation that feels both fresh and timeless for holiday programming.

What to expect

Reverent and luminous. The arrangement honors the carol's spiritual weight while the harp and soft percussion create an almost ethereal quality, as if you're singing in candlelight rather than under stage lights.

Who it's for

Choirs of intermediate to advanced capability who want an arrangement with orchestral polish and accessible vocal writing. Works equally well for church choirs programming a Christmas service and school choirs adding sophistication to a holiday concert.

How to get the most out of it

  • Balance the harp carefully in rehearsal; it provides harmonic color but shouldn't compete with the vocal line. A touch of reverb on the recorded accompaniment can help it sit naturally in the mix.
  • Shape the melodic line with gentle dynamic contours rather than sing-song phrasing. Hayes's arrangement rewards legit singing with real breath support.
  • Let the synthesizer provide textural support without drawing attention. It should feel like part of the ensemble, not a spotlight.
  • Mark the spots where winds double the choir; these moments deepen the sound and help younger singers find their pitch without sounding thick.

How to use it

Place this near the end of a Christmas concert to shift the mood toward reflection and quiet celebration. It pairs beautifully with a cappella carols earlier in the program and can anchor the final moments before an audience sing-along.

Skills your students will build

  • Balancing blend with sustained, lyrical singing
  • Responding to recorded accompaniment that includes orchestral textures rather than simple piano voicings
  • Singing accurately with wind parts that double the vocal line in some passages
  • Shaping a familiar melody to reveal Hayes's harmonic language without losing the carol's identity

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