Save the Last Dance for Me Cover Image

Save the Last Dance for Me: SATB Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
Save the Last Dance for Me Cover Image

Save the Last Dance for Me: SATB Choral Octavo

By Doc Pomus and Mort Shuman / arr. Jay Althouse

Item: 00-25149

Need it now?

Buy Digital Version
$2.25
Shipped

One moment…

Description
This pop hit from 1960 (the only #1 hit for the group, The Drifters) has been recorded by dozens of artists from country to r&b, including Dolly Parton and Michael Bublé. Jay's new arrangement has a light, almost Latin groove, a fresh new approach for a pop classic.

Save the Last Dance for Me: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081266435
SKU: 00-25149

More about this title

About the Composer: Mort Shuman

Mort Shuman was a prolific songwriter and performer who shaped the sound of 1950s and 60s pop and rock and roll. Writing alongside Doc Pomus, he crafted infectious melodies and clever lyrics that became standards for artists across multiple genres. His ability to write vocal lines that stick with listeners made him a sought-after tunesmith for nearly every major pop act of his era.

Beyond his work as a composer, Shuman was also a recording artist and later a successful stage performer, which gave him deep insight into what works for singers and audiences. His songs have demonstrated remarkable longevity, covered repeatedly by artists from Dolly Parton to Michael Bublé, a testament to the strength of his melodic gift and lyrical clarity.

Why we love this

Jay Althouse's arrangement strips away the nostalgia and rebuilds this 1960 standard with a contemporary Latin groove that feels both fresh and natural. The writing lets your singers own the melody without fighting arrangement complexity, making it equally strong whether you're singing it in concert or as a crowd favorite at a spring pop show.

What to expect

A confident, swaying journey through an unforgettable melody with just enough rhythmic kick to keep it from feeling like a standard ballad. The Latin groove brings warmth and movement to a song about devotion, creating that rare combination of sincerity and lift.

Who it's for

Choirs at the intermediate to advanced level who want to program a recognized pop classic without sounding dated. This works for mixed ensembles looking for something accessible that audiences genuinely enjoy hearing, whether you're building a pop concert or adding one strong piece to a general concert.

How to get the most out of it

  • Keep the rhythm section tight and forward. The Latin pocket is the foundation here; if the accompaniment sits back, the whole arrangement loses its energy.
  • Shape the melody phrases with the recorded accompaniment as a guide, but encourage singers to breathe naturally within their lines rather than locking to every accent.
  • Balance the harmonic color in the inner voices. Althouse's arrangement uses interesting voicings that can easily disappear if the soprano and bass drive the sound; full-choir balance rewards the detail work.
  • Let the lyrics breathe. This is a romantic story with humor; singers should hear themselves telling that story, not just delivering syllables over a groove.

How to use it

Pair this with other classic pop standards to build a full concert theme, or anchor a spring pops program where singers can have fun with familiar material. It also sits well in a setlist between heavier repertoire, giving your singers and audience a moment to enjoy something straightforward and genuinely moving.

Skills your students will build

  • Maintaining rhythmic precision in a pop groove context
  • Balancing smooth melodic phrasing with rhythmic precision
  • Blending four-part harmony in contemporary pop voicings
  • Sustaining vocal line independence while locked to percussion and accompaniment

You May Also Like