Please Come Home for Christmas Cover Image

Please Come Home for Christmas: TTB Choral Octavo

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Please Come Home for Christmas Cover Image

Please Come Home for Christmas: TTB Choral Octavo

Words and music by Charles Brown and Gene Redd / arr. Jay Althouse

Item: 00-47570

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Description
In 1960, pianist and singer Charles Brown first recorded this Christmas classic. Since then, the Eagles, Kelly Clarkson, Martina McBride, and Jon Bon Jovi are among the many artists who have covered the blues-infused tune about missing "the one you love" during the holidays. Opens with an optional solo followed by irresistible classic '60s harmonies.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Please Come Home for Christmas: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081542638
SKU: 00-47570

More about this title

About the Composer: Charles Brown

Charles Brown (1922–1999) was a pianist, singer, and bandleader who became a foundational figure in American rhythm and blues and jump blues. His smooth vocal delivery and sophisticated piano work influenced generations of musicians across blues, soul, and popular music. "Please Come Home for Christmas," co-written with Gene Redd, remains one of the most enduring holiday standards, recorded by artists across multiple genres and decades.

Brown's career spanned from the 1940s through the 1990s, and his songwriting often explored themes of longing and emotional authenticity. His work bridges the gap between blues tradition and mainstream pop appeal, making his compositions particularly valuable for choral programs seeking repertoire with genuine emotional depth and cross-genre recognition.

Why we love this

This arrangement captures everything that made the original recording timeless: the yearning melody, the bluesy harmonic sophistication, and the emotional directness that cuts through holiday commercialism. Jay Althouse's voicing for TTB keeps the classic '60s sound intact while making the piece accessible to mixed ensembles, and the optional solo opening gives your strongest vocalist a genuine moment to shine rather than a throwaway feature.

What to expect

Wistful and grounded. The melody carries real tenderness, while the harmonies give you that warm, sophisticated '60s feel that audiences recognize immediately. There's no sentimentality here; just honest longing wrapped in a groove that makes you want to listen closely.

Who it's for

Directors looking for a secular holiday piece with genuine musicality and cross-generational appeal. TTB ensembles (high school through adult choirs) will find a chart that honors the original's soul without requiring advanced vocal technique. This works equally well for concert choirs seeking a holiday programming break from traditional carols and for pop choral groups building a contemporary holiday set.

How to get the most out of it

  • Balance the solo opener carefully; this should feel like someone sharing a memory, not broadcasting. If you're using recorded accompaniment, the soloist should sit slightly forward in the mix.
  • The classic '60s harmonies depend on precise vowel unification in the background voices. Lock your "ah" and "oh" sounds across sections during the harmonic passages.
  • Lean into the blues feel without oversinging it. This works best when the rhythm section (if you're adding instruments) drives the groove rather than the voices forcing it.
  • Let the lyrics breathe; this song lives on its emotional sincerity. Tempo should feel unhurried, giving the melody room to land.

How to use it

Program this as your secular holiday anchor, pairing it with either traditional carols (the contrast in style refreshes both) or other contemporary pop arrangements to build a modern holiday set. It also lands well as a standalone performance piece at holiday concerts, winter pops events, or community performances where the song's cultural familiarity works in your favor.

Skills your students will build

  • Blues-influenced intonation and phrasing
  • Blending TTB voicings with harmonic independence
  • Stylistic awareness across pop/blues/soul traditions
  • Solo confidence and ensemble interplay (if using the optional solo)
  • Emotional interpretation in contemporary music

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