Please Come Home for Christmas Sheet Music Preview

Please Come Home for Christmas: SSA Choral Octavo

Words and music by Charles Brown and Gene Redd / arr. Jay Althouse

Item: 00-PO-0005940

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Minimum order quantity: 20 copies

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Description
In 1960, pianist and singer Charles Brown first recorded this Christmas classic. Since then, the Eagles, Kelly Clarkson, Martina McBride, and Jon Bon Jovi are among the many artists who have covered the blues-infused tune about missing "the one you love" during the holidays. Opens with an optional solo followed by irresistible classic '60s harmonies.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005940

More about this title

About the Composer: Charles Brown

Charles Brown was a pianist, singer, and bandleader who became a central figure in West Coast blues and R&B during the 1940s and 1950s. His smooth vocal delivery and sophisticated piano playing influenced generations of musicians across multiple genres. "Please Come Home for Christmas," recorded in 1960, remains his signature composition and one of the most enduring holiday songs in American music.

Why we love this

This arrangement captures the emotional warmth of the original while keeping the harmonic language accessible and singable for developing choirs. The optional solo section gives your strongest vocalist a moment to shine, and the classic '60s voicings teach singers how to blend in a contemporary pop idiom without losing authenticity. It's a crowd-pleaser that actually demands musical maturity from your singers.

What to expect

Nostalgic and tender, with an undertow of genuine longing beneath the upbeat groove. The blues-inflected harmonies give it sophistication and depth that transcends typical holiday sweetness. Singers feel the authenticity of missing someone while moving forward in the music with gentle momentum.

Who it's for

SSA choirs looking for accessible, emotionally resonant holiday repertoire that works equally well for concert and community settings. The arrangement suits choirs with limited rehearsal time and mixed singing experience, since the part-writing supports singers while maintaining musical credibility.

How to get the most out of it

  • Balance the opening solo carefully; it should float above the accompaniment without straining, so choose a soloist comfortable with intimate phrasing rather than belting power.
  • Let the chord changes breathe in the verse sections. These aren't meant to churn; they should unfold with the easy swing of the original recording.
  • Shape the phrase endings in the refrain by pulling back slightly before landing on the downbeat. This creates the relaxed, conversational quality that makes the song feel genuine.
  • Use the recorded accompaniment to lock in the groove early, but gradually reduce dependence on it during rehearsals so singers own the timing and feel.

How to use it

Pair this with other secular holiday selections to balance a concert heavy on traditional carols, or open a pops concert with it to establish an intimate, sophisticated tone. It works beautifully in winter celebrations where the audience expects both joy and emotional honesty.

Skills your students will build

  • Blending voices across different vowel colors in jazz-influenced chord voicings
  • Singing with stylistic authenticity in a contemporary pop idiom
  • Sustaining legit phrasing while maintaining rhythmic groove
  • Balancing a solo voice over harmonic accompaniment

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