Please Come Home for Christmas Cover Image

Please Come Home for Christmas: Choral SoundPax

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Please Come Home for Christmas Cover Image

Please Come Home for Christmas: Choral SoundPax

Words and music by Charles Brown and Gene Redd / arr. Jay Althouse

Item: 00-47572

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Description
In 1960, pianist and singer Charles Brown first recorded this Christmas classic. Since then, the Eagles, Kelly Clarkson, Martina McBride, and Jon Bon Jovi are among the many artists who have covered the blues-infused tune about missing "the one you love" during the holidays. Opens with an optional solo followed by irresistible classic '60s harmonies.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 10
UPC: 038081542652
SKU: 00-47572

More about this title

About the Composer: Charles Brown

Charles Brown was a pioneering pianist and vocalist who helped shape the West Coast blues sound in the 1940s and 1950s. His smooth, jazz-inflected approach to blues piano and his warm, conversational singing style made him a bridge between traditional blues and the emerging R&B and pop styles that would dominate popular music. Brown's 1960 recording of "Please Come Home for Christmas" became one of the most enduring holiday songs in American music, covered by artists across genres from rock to country to pop.

Why we love this

This arrangement captures what made the original so irresistible: a genuine blues-pop sensibility that feels sophisticated without being precious, paired with the kind of accessible harmonies that make students eager to sing. It's a genuinely cool song to program, one that appeals to singers and audiences alike because it sounds like real popular music, not a simplified version of it. The optional solo gives you flexibility for featuring a strong vocalist while keeping the arrangement fresh across multiple rehearsals.

What to expect

Nostalgic but never sentimental, with the melancholy undertone of missing someone you love during a season that celebrates togetherness. The '60s harmonies sit in that sweet spot between retro and timeless, giving the piece a warmth that feels both familiar and slightly wistful. There's a quiet sophistication here: blues sensibility without pretension, and genuine emotion without overwrought arrangement.

Who it's for

This works for treble, mixed, and men's choirs seeking repertoire that feels current and emotionally genuine without compromising musical substance. It's ideal for choirs with a singer strong enough to carry a solo passage, though the ensemble sections are the real heart of the piece. Holiday concerts, winter pops programs, and end-of-semester performances all benefit from its proven audience appeal.

How to get the most out of it

  • Study the recorded accompaniment to internalize the classic '60s groove; the rhythmic pocket here is essential to the song's character.
  • Shape the harmony parts with attention to the underlying blues changes rather than treating them as static background; this music breathes when singers understand the harmonic motion.
  • Balance the optional solo thoughtfully against the ensemble sections so it lands as an invitation rather than an interruption.
  • Lean into the vocal jazz inflections and phrasing suggested in the score; straight rhythmic delivery flattens the song's emotional authenticity.

How to use it

Program this alongside other secular holiday songs to build a set that respects your audience's musical tastes and reflects the genuine diversity of how people experience the season. It pairs especially well with jazz-influenced or pop-forward arrangements and gives your concert a contemporary energy without losing the reflective quality the holidays deserve. Consider placing it mid-program where its emotional authenticity can ground the second half of your concert.

Skills your students will build

  • Singing jazz-inflected phrasing and swing feel within a pop-blues context
  • Reading and executing blues-based harmonic progressions across ensemble parts
  • Balancing solo and ensemble sections, understanding when to feature and when to support
  • Interpreting stylistic nuance in contemporary popular music repertoire

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