Oye la Música (Hear the Music): Choral SoundPax
Music by Jay Althouse
Item: 00-PK-0000476
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Oye la Música (Hear the Music): Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he earned the Distinguished Alumni award. His eight-year career in music publishing included work as a rights and licenses administrator and a term on the Executive Board of the Music Publishers Association of America. He is an ASCAP writer member and a frequent recipient of the ASCAP Special Award for his compositional output.
Althouse has composed over 800 choral works performed widely across the English-speaking world. Beyond composing, he has co-written children's musicals with Sally K. Albrecht, edited vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created classroom resources including Ready to Read Music and Sixty Music Quizzes. He served on the board of the North Carolina Master Chorale and currently advises the Folk Art Society of America. His choral composition I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration.
Why we love this
Althouse writes choral music that moves naturally, and this Latin selection brings infectious energy without sacrificing musical substance. The SoundPax format gives you a full instrumental sound that feels organic to the style, supporting your singers without overshadowing them. Programming this creates an immediate mood shift in your concert and reminds audiences why multicultural repertoire belongs front and center in choral performance.
What to expect
The piece pulses with Latin rhythmic vitality and modern arranging sensibility. Instruments weave through the vocal texture, creating a collaborative sound that feels celebratory without being lightweight.
Who it's for
Choirs at intermediate level and above who want repertoire with contemporary energy and cultural authenticity. This works for mixed choirs, treble choirs, and groups seeking music that energizes both singers and audiences.
How to get the most out of it
- Lean into the rhythmic drive of the accompaniment rather than fighting it; let the rhythm section establish the groove and have your singers settle into that pocket.
- Balance the instrumental parts carefully so the saxophones and trombones enhance rather than cover the vocal lines, especially in sections where they move together.
- Work the text expressively; the Spanish lyrics deserve clear articulation and genuine phrasing that reflects the joy in the title.
How to use it
Use this as a concert centerpiece that breaks up a more traditional program or clusters it with other multicultural selections to create a thematic block. Its accessible joy and instrumental support make it ideal for spring concerts or occasions where you want to showcase your ensemble's ability to navigate contemporary styles.
Skills your students will build
- Singing with Latin rhythmic vocabulary and inflection
- Balancing vocal lines with contemporary instrumental accompaniment
- Blending treble and lower voices in a rhythmically driven texture
- Interpreting Spanish language text with native-like clarity