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Orange Colored Sky: SoundTrax Digital Audio Download

$29.99 USD
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Orange Colored Sky Cover Image

Orange Colored Sky: SoundTrax Digital Audio Download

Arr. Kirby Shaw

Item: 00-A-00015762

$29.99
Digital Download

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Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015762

More about this title

About the Composer: Milton Delugg

Milton Delugg (1918-1982) was an accordion virtuoso and composer who became a fixture of American popular music in the mid-20th century. His work spanned film scores, television themes, and standard pop compositions, often capturing the buoyant, swinging character of post-war American song. Delugg's gift for melody and his deep understanding of voice and ensemble made his pieces natural fits for choral arrangement.

Why we love this

Kirby Shaw's arrangement captures the breeziness and optimism of this standard without sacrificing harmonic sophistication. The pop choral voicing sits comfortably for mixed ensembles while maintaining the swing feel that makes the song memorable, and the recorded accompaniment removes barriers to rehearsal efficiency for groups without dedicated pianists.

What to expect

Sunny and buoyant, with the casual elegance of a mid-century pop standard. The piece moves with understated swing, evoking late-night radio and casual sophistication rather than formal concert grandeur. There's warmth in the harmonies and an invitation to smile while singing.

Who it's for

Mixed choral ensembles seeking accessible Great American Songbook material that works for both concert and social settings. High school and community choirs will find the range and voicing straightforward, while the arrangement's musicality rewards more advanced groups.

How to get the most out of it

  • Anchor the groove in the rhythm section parts (bass and drums in the accompaniment). Have your singers listen to the track during rehearsal so they internalize the swing feel rather than singing straight rhythms.
  • Shape phrases with a gentle lift rather than heavy dynamics. This song breathes best when light and conversational, even at modest volumes.
  • Balance the upper and lower voice lines carefully. The melody will naturally draw attention, but secondary lines need clarity to support the harmonic color.

How to use it

Pair this with other pop standards or contemporary arrangements for a lighter concert segment, or feature it as a contrast piece between more serious choral works. It also works well as an opener or closer that leaves audiences in good spirits without demanding vocal heroics.

Skills your students will build

  • Swing rhythm and jazz articulation in a choral context
  • Listening to recorded accompaniment and locking with groove-based accompaniment
  • Balancing solo line with supporting harmony in pop arrangement texture
  • Phrasing with jazz sensibility and lyrical flow in a popular song idiom

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