Orange Colored Sky Cover Image

Orange Colored Sky: Choral SoundPax

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Orange Colored Sky Cover Image

Orange Colored Sky: Choral SoundPax

Words and music by Milton Delugg and Willie Stein / arr. Kirby Shaw

Item: 00-49656

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Description
"Flash! Bam! Alakazam!" Vocal jazzers will love the fall-offs, slides, tight harmonies, and rapid fire triplets in Kirby's arrangement of this Great American Songbook standard. Two brief notated solos sound improvised over the hip changes at the turnaround. Recommended listening: study the style with the 1950 recording by Nat King Cole. SoundPax includes trumpet, sax, and rhythm.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081567433
SKU: 00-49656

More about this title

About the Composer: Milton Delugg

Milton Delugg (1918-2009) was an American composer and harmonica virtuoso whose versatility spanned popular song, film scores, and instrumental music. He co-wrote "Orange Colored Sky" in 1950, a tune that became a jazz standard and vocal favorite through its infectious melody and sophisticated harmonic foundation. His gift for crafting singable, swinging melodies made him a fixture in American popular music during the mid-twentieth century.

Why we love this

Kirby Shaw's arrangement captures the snappy energy of the original without losing the harmonic sophistication that makes this standard endure. The notated solos give singers a taste of jazz improvisation within a fully notated context, and the tight harmonies and fall-offs demand the kind of vocal cohesion that builds real ensemble skill.

What to expect

Bright, witty, and swinging. The arrangement sparkles with the urbane charm of 1950s jazz clubs, complete with snappy syncopation and horn-like vocal writing that makes singers feel like they're part of a tight combo. Energy propels the piece forward without ever feeling frantic.

Who it's for

Intermediate to advanced vocal jazz choirs and show choir programs ready to tackle authentic Great American Songbook style. Singers need secure intonation, rhythmic precision, and comfort with jazz phrasing and extended harmonies.

How to get the most out of it

  • Study the Nat King Cole recording before rehearsing to internalize the laid-back swing feel and understand how to shape the phrases with jazz inflection rather than classical diction.
  • Isolate the two solo passages in sectional rehearsals and have singers mark their approach to the fall-offs and slides so everyone understands the style consistent across parts.
  • Balance the rapid-fire triplet figures so they breathe as units rather than tumbling; they should land with precision but never sound rushed.
  • Use the SoundPax accompaniment to lock the ensemble into the rhythm section groove, especially the hip chord changes at the turnaround where the band's playing will anchor intonation.

How to use it

Program this as a crowd-pleasing opener or closer for a jazz or standards-focused concert, or feature it alongside other Songbook repertoire to showcase your ensemble's stylistic range. It's short enough to pair with a longer work and immediate enough to leave audiences smiling.

Skills your students will build

  • Jazz phrasing and inflection (fall-offs, slides, scoops)
  • Reading and performing rhythmic figures in triplet subdivisions
  • Singing notated jazz solos with improvisatory character
  • Balancing blend and harmonic awareness in close voicings
  • Rhythmic precision within a swing feel

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