Of Grateful Praise Sheet Music Preview

Of Grateful Praise: SATB Choral Octavo

Words by Folliott Sandford Pierpoint, music by Sally K. Albrecht

Item: 00-PO-0001793

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Minimum order quantity: 20 copies

Description
Pierpoint's famous "For the Beauty of the Earth" text is given new energy with a contemporary groove. Canonic verses and sensible repetition make for easy learning. An exciting song of praise for developing school and church choirs!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001793

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades through her compositions, conducting, and leadership in music education. A recipient of the ASCAP Special Music Award every year since 1987, she has published over 600 choral works and 75 larger musicals and songbooks. Her conducting has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent more than thirty years directing school choral and vocal publications at major educational publishers, including her tenure as Director of School Choral, Vocal, and Elementary Publications at Alfred Music.

Albrecht earned her B.A. in Music and Theater from Rollins College (1976) and continued her studies at the University of Miami, where she received an M.A. in Drama (1977) and an M.M. in Accompanying (1979). She has taught in the music departments at Oakland University, Jersey City State College, and Meredith College. In recognition of her contributions to education and leadership, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021. She lives in North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht takes one of American hymnody's most beloved texts and reimagines it with a contemporary groove that immediately engages singers. The canonic writing and purposeful repetition mean your singers learn quickly and confidently, while the energy of the piece keeps rehearsals fresh and programming exciting. For developing choirs, this balances accessibility with real musical satisfaction.

What to expect

A surge of joy and motion. The contemporary groove gives familiar words a fresh vitality, while the canonic writing creates an interlocking texture that feels both modern and connected to choral tradition. Singers and listeners alike feel the celebratory spirit of the text come alive in sound.

Who it's for

School and church choirs in their early to intermediate development stages will find this piece both achievable and rewarding. The SATB voicing remains accessible without sacrificing musical interest, making it ideal for mixed choirs that need literature that builds confidence alongside skill.

How to get the most out of it

  • Establish the contemporary groove early in rehearsal by having the rhythm section lock in before layering vocal lines. This harmonic foundation helps singers hear where the canonic entries fall.
  • Let the canonic passages breathe naturally; resist over-polishing them until singers understand how their line relates to other voice parts. Hearing the echo effect is essential.
  • Use the recorded accompaniment during learning phases to reinforce the groove, then gradually move toward less reliance on it as confidence builds.
  • Balance the energy of the contemporary style with the reverent text; the groove should enhance the message of gratitude, not overshadow it.

How to use it

This works beautifully in a fall or winter concert that pairs sacred music with contemporary arrangements, or as a centerpiece for a program celebrating gratitude and praise. Its energy also makes it an excellent choice for pops-style concerts or services where accessibility and engagement matter deeply.

Skills your students will build

  • Reading and performing canonic structures
  • Maintaining a contemporary groove while singing sustained harmonic lines
  • Blending SATB parts in rhythmically independent passages
  • Connecting lyrical, devotional text to contemporary musical style

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