Me and My Broken Heart Sheet Music Preview

Me and My Broken Heart: SAB Choral Octavo

Words and music by Wayne Hector, Steve Mac, Benjamin Levin, Ammar Malik, and Rob Thomas / arr. Ryder Emerson

Item: 00-PO-0003311

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Description
Following appearances on The Voice and The Ellen DeGeneres Show, members of the English pop band Rixton were overwhelmed when this hip groove became their first U.S. top twenty hit.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0003311

More about this title

About the Composer: Wayne Hector

Wayne Hector is a British songwriter and producer who has crafted hits across pop, R&B, and dance music for nearly two decades. His work with artists like Rixton, Olly Murs, and Ella Mai demonstrates his ability to write infectious grooves that connect with mainstream audiences while maintaining musical substance.

Hector's songwriting often balances commercial appeal with genuine emotional content, a quality that makes his material particularly valuable for choral arrangers seeking contemporary repertoire that engages singers without sacrificing musicality.

Why we love this

This arrangement captures the radio-friendly energy of a genuine chart hit while working beautifully in a three-part voicing. The harmonic accessibility combined with the song's authentic groove gives your singers material they recognize and feel invested in performing, which translates directly to engaged, confident singing.

What to expect

Upbeat and emotionally honest, balancing the lightness of a pop groove with genuine vulnerability about heartbreak. The arrangement captures the original's accessible warmth while the three-part voicing keeps the texture clear and driving.

Who it's for

Choirs seeking contemporary repertoire that feels relevant to younger singers and general audiences alike. This octavo works for high school choirs, community choirs, or any ensemble looking to program a current pop hit that doesn't require a full band arrangement.

How to get the most out of it

  • Keep the rhythm section (if using the recorded accompaniment) slightly laid-back rather than metronomically rigid; the hip groove depends on subtle swing rather than mechanical precision.
  • Balance the melodic line across all three parts during the verse sections. The tune moves between voices, so watch for intonation clarity when voices trade or overlap.
  • Approach the dynamic arc intentionally. The song builds gradually, so resist the urge to sing the chorus at full volume from its first entrance; save room to grow.

How to use it

Program this as an opener or closer to hook audiences with familiar material, or pair it with other contemporary pop numbers to create a modern set that showcases your singers' range. Its energetic vibe works particularly well on concerts mixing classical and popular repertoire.

Skills your students will build

  • Singing with rhythmic precision in syncopated pop grooves
  • Tracking melodic movement across multiple voices within a single part
  • Balancing part independence while maintaining harmonic cohesion
  • Performing with stylistic authenticity in contemporary idioms

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