Me and My Broken Heart Cover Image

Me and My Broken Heart: SAB Choral Octavo

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Me and My Broken Heart Cover Image

Me and My Broken Heart: SAB Choral Octavo

Words and music by Wayne Hector, Steve Mac, Benjamin Levin, Ammar Malik, and Rob Thomas / arr. Ryder Emerson

Item: 00-43360

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Description
Following appearances on The Voice and The Ellen DeGeneres Show, members of the English pop band Rixton were overwhelmed when this hip groove became their first U.S. top twenty hit.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Me and My Broken Heart: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081489018
SKU: 00-43360

More about this title

About the Composer: Wayne Hector

Wayne Hector is a prolific songwriter and producer who has shaped the sound of contemporary pop across multiple decades. His work spans chart-topping hits for artists like The Saturdays, One Direction, and Rixton, combining accessible melodies with production sensibility that translates effectively to ensemble arrangement.

Why we love this

Ryder Emerson's SAB voicing captures the infectious energy and modern groove of the original without sacrificing singability across three parts. The arrangement sits comfortably in limited ranges while maintaining the track's signature hook, making it genuinely fun to rehearse and perform.

What to expect

The arrangement captures the wistful-yet-catchy character of the original: a song about heartbreak that never loses its pop sparkle and forward motion. Singers will recognize the melody and the familiar groove immediately, making it rewarding to learn and energizing to perform.

Who it's for

This octavo works for choirs seeking pop repertoire with genuine chart appeal and accessible three-part writing. It's ideal for programs that want to reach student singers and audiences with contemporary material that doesn't require advanced vocal technique or extensive time investment.

How to get the most out of it

  • Lock the rhythm section (bass and rhythm instruments in the accompaniment) with your percussion or lowest voices to anchor the groove and keep the energy forward-moving.
  • Emphasize the syllabic text delivery and crisp articulation on the chorus to match the pop production style of the original recording.
  • Balance the SAB parts carefully during the hook so the melody remains clear; the middle and lower voices support rather than compete.
  • Use the recorded accompaniment to help singers feel the contemporary groove and understand where soloistic phrasing can breathe within the rhythm.

How to use it

Program this alongside other modern pop titles to show your choir's versatility and connect with audiences who know the track. It also works as a concert closer or spring show feature when you want to celebrate contemporary music-making with genuine student engagement.

Skills your students will build

  • Singing in contemporary pop style with rhythmic precision and less vibrato than classical singing requires
  • Balancing three-part SAB textures where parts have distinct rhythmic and melodic roles
  • Following a grooved accompaniment and syncing with modern production elements
  • Interpreting text with stylistic phrasing appropriate to pop music idiom

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