Me and My Broken Heart Cover Image

Me and My Broken Heart: SSA Choral Octavo

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Me and My Broken Heart Cover Image

Me and My Broken Heart: SSA Choral Octavo

Words and music by Wayne Hector, Steve Mac, Benjamin Levin, Ammar Malik, and Rob Thomas / arr. Ryder Emerson

Item: 00-43361

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Description
Following appearances on The Voice and The Ellen DeGeneres Show, members of the English pop band Rixton were overwhelmed when this hip groove became their first U.S. top twenty hit.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Me and My Broken Heart: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081489025
SKU: 00-43361

More about this title

About the Composer: Wayne Hector

Wayne Hector has established himself as one of contemporary pop music's most prolific songwriters, crafting hits across multiple genres and for artists ranging from solo performers to major bands. His work demonstrates a keen understanding of what makes a song resonate with listeners: accessible melodies, relatable lyrics, and production that translates seamlessly across radio, streaming, and live performance.

Hector's collaborations with producers like Steve Mac have yielded chart success on both sides of the Atlantic, and his ability to write for different vocal textures and ensemble sizes makes his material especially valuable for choral arrangers seeking contemporary repertoire with genuine commercial appeal.

Why we love this

Ryder Emerson's arrangement captures the infectious energy of Rixton's original while keeping the vocal parts singable and the harmonic palette fresh. The SSA voicing opens this contemporary pop hit to groups that might otherwise miss out on repertoire with real cultural currency, and the recorded accompaniment option gives you flexibility whether you want live band support or a polished backing track.

What to expect

Upbeat and relatable, with the kind of rhythmic drive and melodic catchiness that makes pop hits so satisfying to sing. The arrangement preserves the song's inherent charm while giving choral singers something substantial to sink their teeth into.

Who it's for

Choirs looking for contemporary, radio-friendly repertoire that engages singers and audiences alike. SSA voicings work well for middle school through college choirs, youth groups, and community ensembles seeking material with genuine commercial appeal and modern sensibility.

How to get the most out of it

  • Lock in the groove early by having the ensemble nail the rhythmic feel of the original before worrying about blend. This song lives in its pocket.
  • Use the recorded accompaniment as a reference to understand the intended production style and tempo relationships, especially if your singers aren't familiar with the original recording.
  • Balance the melody line across your first sopranos without letting the supporting voices drop in energy. All three parts drive the groove equally.
  • Pay attention to any syncopated entrances or rhythmic figures that sit against the beat. Precision here is what makes pop arranging sound polished.

How to use it

Program this alongside other contemporary pop arrangements to show your audience that choral music speaks in the musical language they actually hear on streaming and radio. It's ideal for spring concerts, pops nights, or any program aimed at bringing newer listeners into the concert hall.

Skills your students will build

  • Singing contemporary pop idioms with authentic rhythmic feel and production sensibility
  • Balancing three-part harmony while maintaining forward rhythmic momentum
  • Interpreting syncopated rhythmic patterns and syncopated entrances
  • Understanding how studio production and pop arrangement techniques transfer to live choral performance

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