Me and My Broken Heart: SATB Choral Octavo
Words and music by Wayne Hector, Steve Mac, Benjamin Levin, Ammar Malik, and Rob Thomas / arr. Ryder Emerson
Item: 00-PO-0003310
Minimum order quantity: 20 copies
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More about this title
About the Composer: Wayne Hector
Wayne Hector is a prolific songwriter and producer who has crafted pop hits across multiple decades and genres. His work spans collaborations with major recording artists and contributions to chart-topping tracks that balance commercial appeal with genuine melodic craftsmanship.
Why we love this
This arrangement captures the infectious energy that made the original a radio staple while giving your choir a contemporary pop tune with real harmonic substance. The Alfred Pop Choral Series treatment keeps the groove intact without sacrificing singability, and audiences recognize the song instantly.
What to expect
Sleek, rhythmically propulsive, and emotionally honest. The groove sits in your chest while the harmonies keep things sophisticated rather than simplistic. It's the kind of song that feels current the moment your singers find the pocket.
Who it's for
Directors programming modern pop for concert or youth choirs, or teachers seeking contemporary repertoire that engages singers who grew up hearing this track on streaming services. The 16-page length and recorded accompaniment option make it accessible for intermediate choirs without sacrificing musicianship.
How to get the most out of it
- Lock the groove with your rhythm section from the first rehearsal. The recorded accompaniment will anchor timing and pocket, so let singers listen and respond rather than fighting against it.
- Shape the dynamics to highlight the song's emotional arc. The verses sit lower and more intimate; allow the chorus to bloom without oversinging.
- Balance the upper and lower voices in the chorale sections. SATB writing in pop arrangements often leaves the altos and tenors thin if sopranos and basses dominate.
- Communicate the hip groove attitude through facial expression and body language. This song lives in swagger and confidence; let your singers embody that energy, not just hear it.
How to use it
This works beautifully as an opening number for a pops concert or as a contemporary anchor in a mixed repertoire show. The recognizable melody draws audiences in immediately, creating energy that carries through into more traditional selections that follow.
Skills your students will build
- Rhythmic precision in contemporary pop grooves and syncopated rhythmic figures
- Balancing blend in four-part SATB writing with exposed lower voice lines
- Performing with recorded accompaniment while maintaining independence and ensemble cohesion
- Stylistic interpretation of pop idiom (emphasis, articulation, swing feel) appropriate to commercial groove